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<channel>
	<title>Mary Lewis Sculptor</title>
	<link>https://marylewissculptor.com</link>
	<description>Mary Lewis Sculptor</description>
	<pubDate>Sat, 25 May 2019 00:30:35 +0000</pubDate>
	<generator>https://marylewissculptor.com</generator>
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	<item>
		<title>Legacy</title>
				
		<link>https://marylewissculptor.com/Legacy</link>

		<pubDate>Wed, 06 Feb 2019 20:09:39 +0000</pubDate>

		<dc:creator>Mary Lewis Sculptor</dc:creator>

		<guid isPermaLink="true">https://marylewissculptor.com/Legacy</guid>

		<description>&#60;img width="800" height="1158" width_o="800" height_o="1158" data-src="https://freight.cargo.site/t/original/i/17a5c4d9fc20ab8c4a18e45ea1f7815d4a05cedb7d8b7dcea9e48dfbbf57c2c9/despair-2-mary-Lewis-Sculptor.jpg" data-mid="45211379" border="0" data-scale="63" src="https://freight.cargo.site/w/800/i/17a5c4d9fc20ab8c4a18e45ea1f7815d4a05cedb7d8b7dcea9e48dfbbf57c2c9/despair-2-mary-Lewis-Sculptor.jpg" /&#62;1950 DESPAIR life size, Indiana Limestone, Syracuse University, unfinished

You’re invited to see Mary’s technical expertise applied across mediums and raw materials. Mary has been dedicated to interpreting an idea, feeling or unappreciated form in nature and reducing it to the essence in an honest and imaginative way. 

















This archive of work is presented as original, unchared contributions to sculpture of the 20th and 21st century.

&#38;nbsp;Largely undiscovered, Mary is an uncharted original whose legacy is important to modern sculpture.


&#60;img width="539" height="1000" width_o="539" height_o="1000" data-src="https://freight.cargo.site/t/original/i/c5adccace71d5de7868b2c46ee39e3eba4c25f61258ba23c38911d20ad1ebfce/Obadiah-1-Mary-Lewis.jpg" data-mid="44220234" border="0"  src="https://freight.cargo.site/w/539/i/c5adccace71d5de7868b2c46ee39e3eba4c25f61258ba23c38911d20ad1ebfce/Obadiah-1-Mary-Lewis.jpg" /&#62;
&#60;img width="495" height="1000" width_o="495" height_o="1000" data-src="https://freight.cargo.site/t/original/i/18430fc942ff84b48e2d6a04f5185a6d8bcbe43f35e8ec6f1f2a36799efa0350/Obadiah-2-Mary-Lewis.jpg" data-mid="44220235" border="0"  src="https://freight.cargo.site/w/495/i/18430fc942ff84b48e2d6a04f5185a6d8bcbe43f35e8ec6f1f2a36799efa0350/Obadiah-2-Mary-Lewis.jpg" /&#62;
&#60;img width="800" height="1593" width_o="800" height_o="1593" data-src="https://freight.cargo.site/t/original/i/ebf71b041601d19d617644c20b91996587b47319e32eede49e614886f081809c/Obadiah-3-Mary-Lewis.jpg" data-mid="44220236" border="0"  src="https://freight.cargo.site/w/800/i/ebf71b041601d19d617644c20b91996587b47319e32eede49e614886f081809c/Obadiah-3-Mary-Lewis.jpg" /&#62;
 1953&#38;nbsp;OBADIAH Mahogany and Copper, approx. 48” high


&#60;img width="421" height="1200" width_o="421" height_o="1200" data-src="https://freight.cargo.site/t/original/i/de293078dcbfd770a1a76150583f6125233bcf9515e29b97cb80dc5753a95e6c/Mother-and-Son-C-1952.jpg" data-mid="44220228" border="0"  src="https://freight.cargo.site/w/421/i/de293078dcbfd770a1a76150583f6125233bcf9515e29b97cb80dc5753a95e6c/Mother-and-Son-C-1952.jpg" /&#62;
&#60;img width="364" height="1200" width_o="364" height_o="1200" data-src="https://freight.cargo.site/t/original/i/b4d40171dbcbb516591cf24a746d1d570afbe751d90d0741cd74f779adbfd77b/Mother-and-Son-B-1952.jpg" data-mid="44220227" border="0"  src="https://freight.cargo.site/w/364/i/b4d40171dbcbb516591cf24a746d1d570afbe751d90d0741cd74f779adbfd77b/Mother-and-Son-B-1952.jpg" /&#62;

&#60;img width="800" height="562" width_o="800" height_o="562" data-src="https://freight.cargo.site/t/original/i/e597f4ad77003f0bdefd4260bacdc2e590086b20a1f26e256135ae315940b321/Mother-and-Son-CU-B-1952.jpg" data-mid="44220230" border="0" data-scale="100" src="https://freight.cargo.site/w/800/i/e597f4ad77003f0bdefd4260bacdc2e590086b20a1f26e256135ae315940b321/Mother-and-Son-CU-B-1952.jpg" /&#62;
&#60;img width="800" height="563" width_o="800" height_o="563" data-src="https://freight.cargo.site/t/original/i/e6feb2604f076de3a9b5c2d2a14e8f55134cae17c8e007c2abaf65743b4b2bdb/Mother-and-Son-CU-C-1952-Mary-Lewis.jpg" data-mid="44220231" border="0"  src="https://freight.cargo.site/w/800/i/e6feb2604f076de3a9b5c2d2a14e8f55134cae17c8e007c2abaf65743b4b2bdb/Mother-and-Son-CU-C-1952-Mary-Lewis.jpg" /&#62;
&#60;img width="800" height="618" width_o="800" height_o="618" data-src="https://freight.cargo.site/t/original/i/77b1159cd31a2e81f48dc99e3126b5ff23b7340f74df64ecae5c3a5a79834799/Mother-and-Son-CU-A-1952.jpg" data-mid="44220229" border="0"  src="https://freight.cargo.site/w/800/i/77b1159cd31a2e81f48dc99e3126b5ff23b7340f74df64ecae5c3a5a79834799/Mother-and-Son-CU-A-1952.jpg" /&#62;
1952 MOTHER AND SON Brazilian Rosewood, 66” high. Purchased in 1983 for St. John Medical Center, Longview, WA

&#60;img width="800" height="539" width_o="800" height_o="539" data-src="https://freight.cargo.site/t/original/i/93ecae02497facf00b665e4b58a893398da1ac86c2988d5e3e3c1393e7d32178/mother-and-child-MCU-1949.jpg" data-mid="44220223" border="0" data-scale="63" src="https://freight.cargo.site/w/800/i/93ecae02497facf00b665e4b58a893398da1ac86c2988d5e3e3c1393e7d32178/mother-and-child-MCU-1949.jpg" /&#62;1949 MOTHER AND CHILD&#38;nbsp;Plaster for bronze, 21” dia x 37” high, shown in the studio and in a 2011 Retrospective show&#38;nbsp;


&#60;img width="526" height="800" width_o="526" height_o="800" data-src="https://freight.cargo.site/t/original/i/ccda8ce5a15e18fd149c63dc07c59cf16b152d77e2b08ceefc89c4f850a470c0/Mother-and-Child-bronze-2006.jpg" data-mid="44220221" border="0"  src="https://freight.cargo.site/w/526/i/ccda8ce5a15e18fd149c63dc07c59cf16b152d77e2b08ceefc89c4f850a470c0/Mother-and-Child-bronze-2006.jpg" /&#62;
&#60;img width="598" height="800" width_o="598" height_o="800" data-src="https://freight.cargo.site/t/original/i/57a83f8a8ced2ca6c749fd7531e43990910bc02edceb454003c705cb5e0098fc/Mother-and-Child-Bronze-ed-2.jpg" data-mid="44220222" border="0" data-scale="100" src="https://freight.cargo.site/w/598/i/57a83f8a8ced2ca6c749fd7531e43990910bc02edceb454003c705cb5e0098fc/Mother-and-Child-Bronze-ed-2.jpg" /&#62;

2006 MOTHER AND CHILD Edition 1 cast bronze at Oregon Health Sciences University Center for Womens Health and 2014 Edition 2 purchased by the estate of Mark Sponenburgh for the Newport Performing Arts Center, Oregon

&#60;img width="482" height="720" width_o="482" height_o="720" data-src="https://freight.cargo.site/t/original/i/c923e68bb54d58de027ba4867beadcb6cacd1024225d3624af0f721df2e673ab/0-repose.jpg" data-mid="35715191" border="0"  src="https://freight.cargo.site/w/482/i/c923e68bb54d58de027ba4867beadcb6cacd1024225d3624af0f721df2e673ab/0-repose.jpg" /&#62;
&#60;img width="507" height="720" width_o="507" height_o="720" data-src="https://freight.cargo.site/t/original/i/b8600eabb6e55dc03c31de8ef95577ca7850b6fff1b579457f9ed92eb86b1f53/0-bust.jpg" data-mid="35715217" border="0"  src="https://freight.cargo.site/w/507/i/b8600eabb6e55dc03c31de8ef95577ca7850b6fff1b579457f9ed92eb86b1f53/0-bust.jpg" /&#62;
1955&#38;nbsp;REPOSE Water Clay 10”&#38;nbsp; 1949 YOUNG MAN WITH RED BEARD Volcanic Scoria from life model, life size“I do not believe art should degrade by adding to the ugliness of the world, rather delight, inspire or in some way touch the heart and uplift the soul.”&#38;nbsp;&#60;img width="700" height="1273" width_o="700" height_o="1273" data-src="https://freight.cargo.site/t/original/i/b0f0e70313ccc75d0ea8bc0775c6d186598b11dff6e19bb170984e60f172149b/woman-in-pensive-mood-1-mary-lewis.jpg" data-mid="44220256" border="0" data-scale="56" src="https://freight.cargo.site/w/700/i/b0f0e70313ccc75d0ea8bc0775c6d186598b11dff6e19bb170984e60f172149b/woman-in-pensive-mood-1-mary-lewis.jpg" /&#62;
&#60;img width="600" height="1129" width_o="600" height_o="1129" data-src="https://freight.cargo.site/t/original/i/4625923ea102065128551bdf43acedfb814333cf6a8f264da8fb844af38cd90d/woman-in-pensive-mood-3-mary-lewis.jpg" data-mid="44220258" border="0"  src="https://freight.cargo.site/w/600/i/4625923ea102065128551bdf43acedfb814333cf6a8f264da8fb844af38cd90d/woman-in-pensive-mood-3-mary-lewis.jpg" /&#62;
&#60;img width="700" height="1413" width_o="700" height_o="1413" data-src="https://freight.cargo.site/t/original/i/d857a71c5bcdbb725171cb26b247f04c25770e1612f7180ba4bb1f6d10b7687f/woman-in-pensive-mood-2-mary-lewis.jpg" data-mid="44220257" border="0"  src="https://freight.cargo.site/w/700/i/d857a71c5bcdbb725171cb26b247f04c25770e1612f7180ba4bb1f6d10b7687f/woman-in-pensive-mood-2-mary-lewis.jpg" /&#62;
1950 WOMAN IN PENSIVE MOOD Charred poplar, life size
“My work is both liturgical and secular. My intent is to interpret an idea, a feeling, perhaps an unappreciated form in nature by reducing it to the essence and hopefully, instilling a spiritual quality while working directly with the dictates of permanent materials in an honest, imaginative way.” 



&#60;img width="398" height="720" width_o="398" height_o="720" data-src="https://freight.cargo.site/t/original/i/66d4c5eb0e0d7afe564e1ab8226f6d16edef2b20f04aaed3adb9bd26cb28d283/0-cabage-back.jpg" data-mid="35715185" border="0"  src="https://freight.cargo.site/w/398/i/66d4c5eb0e0d7afe564e1ab8226f6d16edef2b20f04aaed3adb9bd26cb28d283/0-cabage-back.jpg" /&#62;
&#60;img width="415" height="720" width_o="415" height_o="720" data-src="https://freight.cargo.site/t/original/i/c580c1af7882beab592aa7f052488f45378fb09aacdad65940694d2cc29a5245/0-cabbage.jpg" data-mid="35715212" border="0"  src="https://freight.cargo.site/w/415/i/c580c1af7882beab592aa7f052488f45378fb09aacdad65940694d2cc29a5245/0-cabbage.jpg" /&#62;

1963&#38;nbsp;SKUNK CABBAGE Carrara Marble, 28” high &#38;nbsp;
&#60;img width="977" height="720" width_o="977" height_o="720" data-src="https://freight.cargo.site/t/original/i/7f8a3f6b38c374f32909d33b2deb9bb6c87603fa04d2ff88c5fa19dc7e16cc5f/0-frog-2.jpg" data-mid="35715202" border="0"  src="https://freight.cargo.site/w/977/i/7f8a3f6b38c374f32909d33b2deb9bb6c87603fa04d2ff88c5fa19dc7e16cc5f/0-frog-2.jpg" /&#62;
&#60;img width="892" height="720" width_o="892" height_o="720" data-src="https://freight.cargo.site/t/original/i/4d7eea337a2f0f88b0b1a5f2f3a0d496167e07011a715951949a1202d77bf1ba/0-frog-one.jpg" data-mid="35715187" border="0"  src="https://freight.cargo.site/w/892/i/4d7eea337a2f0f88b0b1a5f2f3a0d496167e07011a715951949a1202d77bf1ba/0-frog-one.jpg" /&#62;
&#60;img width="616" height="720" width_o="616" height_o="720" data-src="https://freight.cargo.site/t/original/i/d520cadb684b75d4ba0a6265fc8d31815b85c0af944f1eee808ecad411ed5d63/0-frog-three.jpg" data-mid="35715218" border="0"  src="https://freight.cargo.site/w/616/i/d520cadb684b75d4ba0a6265fc8d31815b85c0af944f1eee808ecad411ed5d63/0-frog-three.jpg" /&#62;
&#60;img width="864" height="648" width_o="864" height_o="648" data-src="https://freight.cargo.site/t/original/i/7fa14e9faaa5f6af8e5180a4ca55195b799817caee252733182cd83c4772ac85/mary-lewis-toad-marble.jpg" data-mid="36146154" border="0"  src="https://freight.cargo.site/w/864/i/7fa14e9faaa5f6af8e5180a4ca55195b799817caee252733182cd83c4772ac85/mary-lewis-toad-marble.jpg" /&#62;
Toads Carved in 1949 (Marble), 1961 (Red Sandstone), 1964 (Pumice), 2004 (Maple)&#38;nbsp;&#60;img width="1174" height="939" width_o="1174" height_o="939" data-src="https://freight.cargo.site/t/original/i/57668f411b808c4bf20721a674474ba256f06770216ce6ab5be709d82f8b0a8a/Sweet-Dreams-Ape.jpg" data-mid="44220248" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/57668f411b808c4bf20721a674474ba256f06770216ce6ab5be709d82f8b0a8a/Sweet-Dreams-Ape.jpg" /&#62;SWEET DREAMS (Ape) drawn from life, typical for Mary
“Her pieces clearly have their own DNA. &#38;nbsp;
My hope is that she continues her quest to work and provide all of us with the art that inspires, challenges and soothes the senses.”—Friend and artist, Robert Thomas


&#60;img width="800" height="622" width_o="800" height_o="622" data-src="https://freight.cargo.site/t/original/i/eb170d6ae00bdc3bbebe72a8acecb185a1902c02281ad1000f47983d1c5a87ed/Emma-6-Mary-Lewis-Sculptor.jpg" data-mid="45211183" border="0" data-scale="63" src="https://freight.cargo.site/w/800/i/eb170d6ae00bdc3bbebe72a8acecb185a1902c02281ad1000f47983d1c5a87ed/Emma-6-Mary-Lewis-Sculptor.jpg" /&#62;

&#60;img width="800" height="699" width_o="800" height_o="699" data-src="https://freight.cargo.site/t/original/i/415e09743e21d7aec105052f95887fe5c58ae2bc9c0bf749d83c1814f934e086/Emma-3-mary-Lewis-Sculptor.jpg" data-mid="45211165" border="0"  src="https://freight.cargo.site/w/800/i/415e09743e21d7aec105052f95887fe5c58ae2bc9c0bf749d83c1814f934e086/Emma-3-mary-Lewis-Sculptor.jpg" /&#62;
&#60;img width="800" height="625" width_o="800" height_o="625" data-src="https://freight.cargo.site/t/original/i/42afbdc8add51d282e568415499dfa27d477e0f40e04927f57b2ada2f9d76a2a/Emma-5-Mary-Lewis-Sculptor.jpg" data-mid="45211178" border="0"  src="https://freight.cargo.site/w/800/i/42afbdc8add51d282e568415499dfa27d477e0f40e04927f57b2ada2f9d76a2a/Emma-5-Mary-Lewis-Sculptor.jpg" /&#62;
&#60;img width="800" height="620" width_o="800" height_o="620" data-src="https://freight.cargo.site/t/original/i/0f4855d08761c835a5b42f91611b4790cff38cd2629587f94cd88dfb199d8f28/Emma-2-Mary-Lewis-Sculptor.jpg" data-mid="45211162" border="0" data-scale="100" src="https://freight.cargo.site/w/800/i/0f4855d08761c835a5b42f91611b4790cff38cd2629587f94cd88dfb199d8f28/Emma-2-Mary-Lewis-Sculptor.jpg" /&#62;
1950&#38;nbsp;EMMA Water clay, life modeling class study, Syracuse University, life size&#60;img width="800" height="629" width_o="800" height_o="629" data-src="https://freight.cargo.site/t/original/i/b6a883fc0a7dff97f68204e060c7ba56eec045584598fefbced7f1ab77b30ee5/Untitled-BAS-Relief-1960-Pakistan.jpg" data-mid="44220252" border="0" data-scale="63" src="https://freight.cargo.site/w/800/i/b6a883fc0a7dff97f68204e060c7ba56eec045584598fefbced7f1ab77b30ee5/Untitled-BAS-Relief-1960-Pakistan.jpg" /&#62;1960 UNTITLED bas-relief 18” x 15” x 2” Mica Schist from Peshawar, Pakistan. Carved in Pakistan, while teaching art as a Fulbright Scholar.
&#60;img width="752" height="900" width_o="752" height_o="900" data-src="https://freight.cargo.site/t/original/i/192f4bda6d3f0297506f90253160005d8e50c4d0f77043b39292e8c7a8353aff/Mary-Lewis-with-Haji-Mohd-Sharif.jpg" data-mid="45225044" border="0" data-scale="63" src="https://freight.cargo.site/w/752/i/192f4bda6d3f0297506f90253160005d8e50c4d0f77043b39292e8c7a8353aff/Mary-Lewis-with-Haji-Mohd-Sharif.jpg" /&#62;1959&#38;nbsp;MARY LEWIS&#38;nbsp;with National College of Arts, Master of Miniature Painting, Haji Mohd Sharif at an exhibition in Lahore, Pakistan.

&#60;img width="1168" height="800" width_o="1168" height_o="800" data-src="https://freight.cargo.site/t/original/i/041905d844c6b0dc5484dd1c47e81978bd4bc6c95eb25fcb9de5f777112fc90a/Homeless-1965-Mary-Lewis.jpg" data-mid="44220074" border="0"  src="https://freight.cargo.site/w/1000/i/041905d844c6b0dc5484dd1c47e81978bd4bc6c95eb25fcb9de5f777112fc90a/Homeless-1965-Mary-Lewis.jpg" /&#62;
1965 HOMELESS Granite fieldstone, life size

&#60;img width="864" height="715" width_o="864" height_o="715" data-src="https://freight.cargo.site/t/original/i/da9aa0b7558d45f15540350d43356b94c26ece9afe33ce5e41c1f0d05fb7a7db/mary-lewis-mother-and-son.jpg" data-mid="36146149" border="0" data-scale="63" src="https://freight.cargo.site/w/864/i/da9aa0b7558d45f15540350d43356b94c26ece9afe33ce5e41c1f0d05fb7a7db/mary-lewis-mother-and-son.jpg" /&#62;
1965 MOTHER AND SON&#38;nbsp;Pumice 12” tall



&#60;img width="472" height="720" width_o="472" height_o="720" data-src="https://freight.cargo.site/t/original/i/4d0c9605a30d1fb20adfd7a63758ef327517642a442e344d23253303a5cac901/0-owl.jpg" data-mid="35715210" border="0"  src="https://freight.cargo.site/w/472/i/4d0c9605a30d1fb20adfd7a63758ef327517642a442e344d23253303a5cac901/0-owl.jpg" /&#62;
&#60;img width="1089" height="720" width_o="1089" height_o="720" data-src="https://freight.cargo.site/t/original/i/9953c22623ff97eb71e412c4ed3a05bcd6a284bf6eef8d22054cccde1c8e36c0/0-moth.jpg" data-mid="35715215" border="0"  src="https://freight.cargo.site/w/1000/i/9953c22623ff97eb71e412c4ed3a05bcd6a284bf6eef8d22054cccde1c8e36c0/0-moth.jpg" /&#62;
1964 OWL Polychromed Cedar, 14” high with Basalt inlay. 1962 MOTH Carrara marble 10” diameter

&#60;img width="800" height="515" width_o="800" height_o="515" data-src="https://freight.cargo.site/t/original/i/2922fed928369c55bd494b514fc90a5ae11618de142ff84504dd9eb63d675cef/Katydid-3qtr-front-1962.jpg" data-mid="44220075" border="0" data-scale="100" src="https://freight.cargo.site/w/800/i/2922fed928369c55bd494b514fc90a5ae11618de142ff84504dd9eb63d675cef/Katydid-3qtr-front-1962.jpg" /&#62;
&#60;img width="800" height="546" width_o="800" height_o="546" data-src="https://freight.cargo.site/t/original/i/25aa3eb505ef33706c4495fdf5e9578e07349e70e181d9543f9c0f9ee00a9c8d/Katydid-b_w-Mary-Lewis-1962.jpg" data-mid="44220076" border="0"  src="https://freight.cargo.site/w/800/i/25aa3eb505ef33706c4495fdf5e9578e07349e70e181d9543f9c0f9ee00a9c8d/Katydid-b_w-Mary-Lewis-1962.jpg" /&#62;
1962 KATYDID hammered Copper over wood, 22” long&#60;img width="599" height="800" width_o="599" height_o="800" data-src="https://freight.cargo.site/t/original/i/912f057a546294e378a61086a92bfbc0a7f6de942f8cd228c7a582c7f85a2c2b/Madonna-and-Child-1966-Mary-Lewis.jpg" data-mid="44220080" border="0"  src="https://freight.cargo.site/w/599/i/912f057a546294e378a61086a92bfbc0a7f6de942f8cd228c7a582c7f85a2c2b/Madonna-and-Child-1966-Mary-Lewis.jpg" /&#62;1966 MADONNA AND CHILD Walnut, 20” wide x 32” high x 9” deep, combined low and high relief
Mary’s skill in blending subject with raw materials is seamless.
&#60;img width="424" height="720" width_o="424" height_o="720" data-src="https://freight.cargo.site/t/original/i/997522af1a2518747328e67a96b9884e083b6844352b04a208b8931b6b74b0db/0-pod-back.jpg" data-mid="35715216" border="0"  src="https://freight.cargo.site/w/424/i/997522af1a2518747328e67a96b9884e083b6844352b04a208b8931b6b74b0db/0-pod-back.jpg" /&#62;
&#60;img width="411" height="720" width_o="411" height_o="720" data-src="https://freight.cargo.site/t/original/i/6a3b1bb519e99b465543c642f7aeafc805fa43391e72ca66f6b6a28344089f0f/0-pod-front.jpg" data-mid="35715205" border="0"  src="https://freight.cargo.site/w/411/i/6a3b1bb519e99b465543c642f7aeafc805fa43391e72ca66f6b6a28344089f0f/0-pod-front.jpg" /&#62;
1967&#38;nbsp;POD Redwood 14” tall


&#60;img width="800" height="643" width_o="800" height_o="643" data-src="https://freight.cargo.site/t/original/i/24253cbb1c77d99431149aa691eeee4c7479eb0415593d5d10e6676427c7f783/Madonna-and-Child-studio-MCU.jpg" data-mid="44243742" border="0" data-scale="100" src="https://freight.cargo.site/w/800/i/24253cbb1c77d99431149aa691eeee4c7479eb0415593d5d10e6676427c7f783/Madonna-and-Child-studio-MCU.jpg" /&#62;
&#60;img width="864" height="780" width_o="864" height_o="780" data-src="https://freight.cargo.site/t/original/i/fd56a81f249448ccc81a01942089d67384ecba0a7c2fd9cdb725c476f5ad6e71/mary-lewis-sketch.jpg" data-mid="36146153" border="0"  src="https://freight.cargo.site/w/864/i/fd56a81f249448ccc81a01942089d67384ecba0a7c2fd9cdb725c476f5ad6e71/mary-lewis-sketch.jpg" /&#62;
&#60;img width="800" height="733" width_o="800" height_o="733" data-src="https://freight.cargo.site/t/original/i/fe5b130e59bae7214a44ee92d055b875303b5423468bdfebb5c73e640ed67507/mary-lewis-scale-model.jpg" data-mid="44242101" border="0"  src="https://freight.cargo.site/w/800/i/fe5b130e59bae7214a44ee92d055b875303b5423468bdfebb5c73e640ed67507/mary-lewis-scale-model.jpg" /&#62;
1977 - 1978 MADONNA AND CHILD&#38;nbsp;Original sketch, scale model of the chapel built by Mary and finished work in the studio&#38;nbsp;

&#60;img width="800" height="567" width_o="800" height_o="567" data-src="https://freight.cargo.site/t/original/i/b91f11df8562d72d3022cb50c5348129ee5116cc1d24a6d78e292500848c1a64/Madonna-and-Child-CU-1.jpg" data-mid="44220081" border="0" data-scale="63" src="https://freight.cargo.site/w/800/i/b91f11df8562d72d3022cb50c5348129ee5116cc1d24a6d78e292500848c1a64/Madonna-and-Child-CU-1.jpg" /&#62;

&#60;img width="979" height="600" width_o="979" height_o="600" data-src="https://freight.cargo.site/t/original/i/87b0cbf9b36a07c11cdc7944bb49f97b34b85d1be3b176b1a2eea4f0e88d5698/Madonna-and-Child-Install-1978.jpg" data-mid="44220083" border="0"  src="https://freight.cargo.site/w/979/i/87b0cbf9b36a07c11cdc7944bb49f97b34b85d1be3b176b1a2eea4f0e88d5698/Madonna-and-Child-Install-1978.jpg" /&#62;
1977 - 78 MADONNA AND CHILD Maple, 48” dia. x 5” deep, St. Joseph’s Church Chapel, Roseberg, Oregon
&#60;img width="1382" height="2420" width_o="1382" height_o="2420" data-src="https://freight.cargo.site/t/original/i/2d8248f5ccdf7aae0b27fa1ef8a49619b9b0382d36f2fd08490de4a1cd5907e0/Madonna-and-Child-Sketch.jpg" data-mid="44220084" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/2d8248f5ccdf7aae0b27fa1ef8a49619b9b0382d36f2fd08490de4a1cd5907e0/Madonna-and-Child-Sketch.jpg" /&#62;Study / sketch&#38;nbsp;MADONNA AND CHILD&#38;nbsp;“I like big noses. My work does not resemble mine but, my mothers nose. I was not influenced by anyone. If I were, it would have been Ivan Mestrovic”—Mary lewis&#38;nbsp;

&#60;img width="800" height="809" width_o="800" height_o="809" data-src="https://freight.cargo.site/t/original/i/dc6e75b1d7c965e450d2bdf63eeb46a71cea8218805a0837e22ca1f3ccf6da31/The-Holy-Family-Mary-Lewis-1985.jpg" data-mid="44220250" border="0"  src="https://freight.cargo.site/w/800/i/dc6e75b1d7c965e450d2bdf63eeb46a71cea8218805a0837e22ca1f3ccf6da31/The-Holy-Family-Mary-Lewis-1985.jpg" /&#62;1985 THE HOLY FAMILY Eastern maple, 55 1/2” sq. x 2” deep, St. Frederick Catholic Church, St. Helens, OR

&#60;img width="718" height="800" width_o="718" height_o="800" data-src="https://freight.cargo.site/t/original/i/8e50659f968ab6aadae832099a70bca7a89162e7278d01c8fb8b1bd4565845ae/Visitation-Bronze-2.jpg" data-mid="44220254" border="0" data-scale="56" src="https://freight.cargo.site/w/718/i/8e50659f968ab6aadae832099a70bca7a89162e7278d01c8fb8b1bd4565845ae/Visitation-Bronze-2.jpg" /&#62;&#60;img width="848" height="800" width_o="848" height_o="800" data-src="https://freight.cargo.site/t/original/i/e1d4439b0d89fe53e246684b50751715a7e6863de6b79a9d613e101d533d8f37/Presentation-of-Jesus-Bronze.jpg" data-mid="44220242" border="0" data-scale="56" src="https://freight.cargo.site/w/848/i/e1d4439b0d89fe53e246684b50751715a7e6863de6b79a9d613e101d533d8f37/Presentation-of-Jesus-Bronze.jpg" /&#62;

&#60;img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/fb5acffa66f7a4b3cce81e1d32932e464cae9cdefe411e3a5cb7c7f0753e0bd1/Agony-in-the-garden-Bronze-CU.jpg" data-mid="44220061" border="0"  src="https://freight.cargo.site/w/800/i/fb5acffa66f7a4b3cce81e1d32932e464cae9cdefe411e3a5cb7c7f0753e0bd1/Agony-in-the-garden-Bronze-CU.jpg" /&#62;
&#60;img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/ec34bfaae97771c806f8404e0ab93631163fd430026e5bb904ff2dc5249563c0/Annunciation-Detail.jpg" data-mid="44220064" border="0"  src="https://freight.cargo.site/w/800/i/ec34bfaae97771c806f8404e0ab93631163fd430026e5bb904ff2dc5249563c0/Annunciation-Detail.jpg" /&#62;
1986 - 1989&#38;nbsp;MYSTERIES OF THE ROSARY Seventeen (17) total cast Bronze reliefs depicting The Joyful, The Sorrowful, The Glorious and The Luminous Mysteries (2006), The Grotto Peace Garden, Portland, OR
&#60;img width="3046" height="4033" width_o="3046" height_o="4033" data-src="https://freight.cargo.site/t/original/i/2b065a090d2983f31f119c38f10ea8916d4c7cd6b845451d08cb8804b4a396dc/LS-The-Sorrowful-Mysteries.jpg" data-mid="44220079" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/2b065a090d2983f31f119c38f10ea8916d4c7cd6b845451d08cb8804b4a396dc/LS-The-Sorrowful-Mysteries.jpg" /&#62;1986 - 1989 Cast bronze reliefs of&#38;nbsp;THE SORROWFUL MYSTERIES with weatherd patina, The Grotto Peace Garden, The National Sanctuary of Our Sorrowful Mother, Portland, Oregon.&#38;nbsp;
&#60;img width="800" height="568" width_o="800" height_o="568" data-src="https://freight.cargo.site/t/original/i/06c43866ae965069bb17b4a41e4576d15fb8ecbf41ae3dedd2d742e3f0f34c23/The-Grotto-The-Glorious-Mysteries.jpg" data-mid="44220249" border="0" data-scale="62" src="https://freight.cargo.site/w/800/i/06c43866ae965069bb17b4a41e4576d15fb8ecbf41ae3dedd2d742e3f0f34c23/The-Grotto-The-Glorious-Mysteries.jpg" /&#62;1986 - 1989 Cast cronze reliefs of THE GLORIOUS MYSTERIES shortly after installlation at The Grotto Peace Garden. 
&#60;img width="600" height="930" width_o="600" height_o="930" data-src="https://freight.cargo.site/t/original/i/d79eecb9ac48590aac0158a2625128a8d19486dcbeb922757ecd83b29316beb6/Ascencion-of-Jesus-Bronze.jpg" data-mid="44220065" border="0" data-scale="100" src="https://freight.cargo.site/w/600/i/d79eecb9ac48590aac0158a2625128a8d19486dcbeb922757ecd83b29316beb6/Ascencion-of-Jesus-Bronze.jpg" /&#62;
&#60;img width="600" height="936" width_o="600" height_o="936" data-src="https://freight.cargo.site/t/original/i/c434f5cba821f59cbeead4db215d652ce91de771b5afd606ab88d3a82bfd8009/Birth-of-Jesus-Bronze-2.jpg" data-mid="44220067" border="0"  src="https://freight.cargo.site/w/600/i/c434f5cba821f59cbeead4db215d652ce91de771b5afd606ab88d3a82bfd8009/Birth-of-Jesus-Bronze-2.jpg" /&#62;
1986 - 1989 THE BIRTH OF JESUS and THE ASCENSION OF JESUS Cast Bronze 18” x 27” x 2” from Mysteries of the Rosary, The Grotto Peace Garden, Portland, OR

&#60;img width="560" height="1000" width_o="560" height_o="1000" data-src="https://freight.cargo.site/t/original/i/348cd7b577b094d1a388a95468323394c8fe2a7c34f3ec351777356e41308224/Mother-and-Son-in-Studio-Mary-Lewis.jpg" data-mid="44220232" border="0" data-scale="56" src="https://freight.cargo.site/w/560/i/348cd7b577b094d1a388a95468323394c8fe2a7c34f3ec351777356e41308224/Mother-and-Son-in-Studio-Mary-Lewis.jpg" /&#62;Studio circa 1980 with&#38;nbsp;MOTHER AND SON (1952), purchased in 1983 for St. John Medical Center, Longview, WA
&#60;img width="597" height="800" width_o="597" height_o="800" data-src="https://freight.cargo.site/t/original/i/dee8f622e86499d58ed4fd1561c4e6a70ef7f73632b4c4af3a8fcb9d84be7744/Mary-Lewis-carving-FISH.jpg" data-mid="44245545" border="0" data-scale="56" src="https://freight.cargo.site/w/597/i/dee8f622e86499d58ed4fd1561c4e6a70ef7f73632b4c4af3a8fcb9d84be7744/Mary-Lewis-carving-FISH.jpg" /&#62;2008 Mary in her Columbia River studio carving FISH
(age 82)

&#60;img width="1134" height="800" width_o="1134" height_o="800" data-src="https://freight.cargo.site/t/original/i/9674093dfd97b0e1d6d70c8a80e8e6cf56ace7f2938a1bd30b90ec2baf13e5ed/Fish-Mary-Lewis-2008.jpg" data-mid="44220073" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/9674093dfd97b0e1d6d70c8a80e8e6cf56ace7f2938a1bd30b90ec2baf13e5ed/Fish-Mary-Lewis-2008.jpg" /&#62;
2008&#38;nbsp;FISH Redwood with Basalt eyes, 51” x 29”
&#60;img width="800" height="575" width_o="800" height_o="575" data-src="https://freight.cargo.site/t/original/i/6c5d547ed54a13aaf08041d5038396f2cc6369cde84b1cb0fed205e5a2d044b7/Snail-Mary-Lewis-2009.jpg" data-mid="44220247" border="0"  src="https://freight.cargo.site/w/800/i/6c5d547ed54a13aaf08041d5038396f2cc6369cde84b1cb0fed205e5a2d044b7/Snail-Mary-Lewis-2009.jpg" /&#62;
&#60;img width="800" height="593" width_o="800" height_o="593" data-src="https://freight.cargo.site/t/original/i/5ec9480756798c1155646bc871cf0034ea22fbb112e561c23a23f085aaea488a/Snail-CU-Mary-Lewis-2009.jpg" data-mid="44220245" border="0"  src="https://freight.cargo.site/w/800/i/5ec9480756798c1155646bc871cf0034ea22fbb112e561c23a23f085aaea488a/Snail-CU-Mary-Lewis-2009.jpg" /&#62;
&#60;img width="800" height="536" width_o="800" height_o="536" data-src="https://freight.cargo.site/t/original/i/79c6cd919d4d8d3376b7797dc9aed46df3d2df2a3d3a574d22f00850401c7e80/Snail-curled-side-Mary-Lewis.jpg" data-mid="44220246" border="0"  src="https://freight.cargo.site/w/800/i/79c6cd919d4d8d3376b7797dc9aed46df3d2df2a3d3a574d22f00850401c7e80/Snail-curled-side-Mary-Lewis.jpg" /&#62;
2009 THE&#38;nbsp;SNAIL’S ON THE THORN from Black Walnut slab, 28” x 25”, edge of slab visible at base of sculpture
&#60;img width="1200" height="913" width_o="1200" height_o="913" data-src="https://freight.cargo.site/t/original/i/623f89d05e0cff81453e6ff1df2e025a09596bb07faea235765d23cedd1868fa/Baby-2014-Mary-Lewis.jpg" data-mid="44220066" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/623f89d05e0cff81453e6ff1df2e025a09596bb07faea235765d23cedd1868fa/Baby-2014-Mary-Lewis.jpg" /&#62;
2014 BABY Alabaster, 8” wide x 10” high“To create is necessary to my being, regardless of obstacles, fame or monetary gain.”

&#60;img width="720" height="960" width_o="720" height_o="960" data-src="https://freight.cargo.site/t/original/i/2a6bf56179fc8bb5b34c43a8f32e58705c228f02baaaec08a05c0591f7dd5a9d/0-work-in-progress.jpg" data-mid="35731846" border="0"  src="https://freight.cargo.site/w/720/i/2a6bf56179fc8bb5b34c43a8f32e58705c228f02baaaec08a05c0591f7dd5a9d/0-work-in-progress.jpg" /&#62;
&#60;img width="654" height="800" width_o="654" height_o="800" data-src="https://freight.cargo.site/t/original/i/14d40488a14a40c79b92eb6a43e5684f0563c223834358bfb0d499484fb83d60/Penguin-sketch.jpg" data-mid="44247172" border="0"  src="https://freight.cargo.site/w/654/i/14d40488a14a40c79b92eb6a43e5684f0563c223834358bfb0d499484fb83d60/Penguin-sketch.jpg" /&#62;

&#60;img width="800" height="600" width_o="800" height_o="600" data-src="https://freight.cargo.site/t/original/i/0577900f11b1da6904896a732d165698531a0550ad7bf93278e9b11792bfb765/Toad-in-progress.jpg" data-mid="44246631" border="0" data-scale="62" src="https://freight.cargo.site/w/800/i/0577900f11b1da6904896a732d165698531a0550ad7bf93278e9b11792bfb765/Toad-in-progress.jpg" /&#62;2109 Works in progress;&#38;nbsp;LIZARD on Walnut slab, PENGUIN from Carrara Marble (completed 2021) and TOAD from Mt. St. Helens Scoria (completed 2020)&#38;nbsp;
 These selected works are presented to bring Mary’s art into focus in relation to 20th and 21st century sculpture. Limited editions in cast bronze, wood and print are available as a way to connect with Mary’s legacy.

Say hello: Please direct inquiries to nickpdxthomas@gmail.com
</description>
		
	</item>
		
		
	<item>
		<title>Studio</title>
				
		<link>https://marylewissculptor.com/Studio</link>

		<pubDate>Sun, 17 Feb 2019 20:36:00 +0000</pubDate>

		<dc:creator>Mary Lewis Sculptor</dc:creator>

		<guid isPermaLink="true">https://marylewissculptor.com/Studio</guid>

		<description>&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/f18d17ba729982f9b1b6dcc62f8eb33e74f5cb8818084a79274fd478fec7adcc/IMG_3525.jpg" data-mid="35701136" border="0"  src="https://freight.cargo.site/w/1000/i/f18d17ba729982f9b1b6dcc62f8eb33e74f5cb8818084a79274fd478fec7adcc/IMG_3525.jpg" /&#62;
1977&#38;nbsp;SALVAGED HARDWARE AND DOOR DETAIL (the whole studio was built by Mary from salvaged materials with the help of her cousin who did the framing). Red used consistently in all studios.






















Mary’s studios have always evolved out of her necessity to create, wherever possible.
 











“It is not a house of perfect taste. But it is made from scraps and contributions and materials on hand. It is colorful, cozy, inconspicuous but not without charm. Above all it is my own roof where I find solitude and beauty in living, both of which my nature requires. The glass is exposed not only to the peace of the woods, but to full sun all day. Even in my 8’ x 12’ space I have room for small work in clay.”—from a letter home, February 25, 1957
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/b1e34b69b44d2df6184080880d6685b1884e20057c958edad9696edc465b1672/IMG_3551.jpg" data-mid="35701144" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/b1e34b69b44d2df6184080880d6685b1884e20057c958edad9696edc465b1672/IMG_3551.jpg" /&#62;

2019 VIEW OUT OF THE STUDIO and into the “peace of the woods”
Her current studio, on the edge of the Columbia River, Oregon, was created in a similar spirit: hand-built in 1977 by Mary and her cousin with mostly salvaged materials. A gallery building was added adjacent to the studio for viewings and storage of finished work.



&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/816c10ab9e0857ac558f7cad6e209c281aafe34b441633cfe01e3f9610ea533a/IMG_3552.jpg" data-mid="35701145" border="0"  src="https://freight.cargo.site/w/1000/i/816c10ab9e0857ac558f7cad6e209c281aafe34b441633cfe01e3f9610ea533a/IMG_3552.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/bddc20866495ba2dcacf0d16829802751b358a695a58833f631c99b17959c2f7/IMG_3580.jpg" data-mid="35701156" border="0"  src="https://freight.cargo.site/w/1000/i/bddc20866495ba2dcacf0d16829802751b358a695a58833f631c99b17959c2f7/IMG_3580.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/bbb6629021430b1c5628646ebacc96a10b1c3247bc91b477f61b48d5eb9a2b2d/IMG_E3553.jpg" data-mid="35701169" border="0"  src="https://freight.cargo.site/w/1000/i/bbb6629021430b1c5628646ebacc96a10b1c3247bc91b477f61b48d5eb9a2b2d/IMG_E3553.jpg" /&#62;
2019 MAQUETTE, light control mechanism and chisel collection (partial)
Remnants, studies, sketches from past projects, controllable light and works in progress layer the studio with the wisdom of a master sculptor. Tools made by hand, equipment for managing materials and a vast supply of carving, drawing and sculpting supplies are organized to meet the needs of a productive sculptor. &#38;nbsp;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/8aa9df6bf3784eeacd584d4326440a74b5ebe50170d6b703f61c9f4c4db14982/IMG_3584.jpg" data-mid="35701157" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/8aa9df6bf3784eeacd584d4326440a74b5ebe50170d6b703f61c9f4c4db14982/IMG_3584.jpg" /&#62;2019 One of Mary’s&#38;nbsp;HAND MADE TOOLS, clay model work in progress

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/3158c7a27f6c8ccb363fa343a6d8891cd5b3c141527cb9f60b821dbfc933f345/IMG_3595.jpg" data-mid="35701159" border="0"  src="https://freight.cargo.site/w/1000/i/3158c7a27f6c8ccb363fa343a6d8891cd5b3c141527cb9f60b821dbfc933f345/IMG_3595.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/cfeb27b14e31d309d21fc0b4dad324e2b478b58b7599e4cce579aa7248ff8c96/IMG_3596.jpg" data-mid="35701160" border="0"  src="https://freight.cargo.site/w/1000/i/cfeb27b14e31d309d21fc0b4dad324e2b478b58b7599e4cce579aa7248ff8c96/IMG_3596.jpg" /&#62;




&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/5e4f4307a95a572a9a3c801c21e0be7139893493247c4e26c61cf12f1fb70bbc/IMG_E3514.jpg" data-mid="35701168" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/5e4f4307a95a572a9a3c801c21e0be7139893493247c4e26c61cf12f1fb70bbc/IMG_E3514.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/b917dd3107824b4124d5a3b4810ab261f0a9fb940ef5d58fb64a243a0df21944/IMG_3597.jpg" data-mid="35701161" border="0"  src="https://freight.cargo.site/w/1000/i/b917dd3107824b4124d5a3b4810ab261f0a9fb940ef5d58fb64a243a0df21944/IMG_3597.jpg" /&#62;
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&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/f83e41197d77567ada5581e4610fcebb51385ccf5c4f97a29d56b9cb94c0dad4/IMG_3559.jpg" data-mid="35701147" border="0"  src="https://freight.cargo.site/w/1000/i/f83e41197d77567ada5581e4610fcebb51385ccf5c4f97a29d56b9cb94c0dad4/IMG_3559.jpg" /&#62;
2019 SNAPSHOT, wood chisels, stone hammer, wood hammer, small caliper drawer and “creature” (bug) wood block
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/779deda4cd120ed5e06b48ffd4a11d6eb1c1999b7ca7d38d67ae3f1bcc7f1bbc/IMG_3560.jpg" data-mid="35701149" border="0"  src="https://freight.cargo.site/w/1000/i/779deda4cd120ed5e06b48ffd4a11d6eb1c1999b7ca7d38d67ae3f1bcc7f1bbc/IMG_3560.jpg" /&#62;


&#60;img width="540" height="720" width_o="540" height_o="720" data-src="https://freight.cargo.site/t/original/i/8fb518bab2b183a8911696fd2ca99ea748c8c475950f69eb8c06bedfa4c005b9/IMG_3564-lr.jpg" data-mid="35707802" border="0"  src="https://freight.cargo.site/w/540/i/8fb518bab2b183a8911696fd2ca99ea748c8c475950f69eb8c06bedfa4c005b9/IMG_3564-lr.jpg" /&#62;
&#60;img width="540" height="720" width_o="540" height_o="720" data-src="https://freight.cargo.site/t/original/i/85d0a272449687da4114ba39e4f1e9f5f16079b3e64cae0c760ac46ca51d5168/IMG_3565-lr.jpg" data-mid="35707804" border="0"  src="https://freight.cargo.site/w/540/i/85d0a272449687da4114ba39e4f1e9f5f16079b3e64cae0c760ac46ca51d5168/IMG_3565-lr.jpg" /&#62;
&#60;img width="960" height="720" width_o="960" height_o="720" data-src="https://freight.cargo.site/t/original/i/d90174b8c8394dbd120ee3fb351840e80a0e2809b11b3b6d4c6ad11d0674d00c/IMG_3563-lr.jpg" data-mid="35707803" border="0"  src="https://freight.cargo.site/w/960/i/d90174b8c8394dbd120ee3fb351840e80a0e2809b11b3b6d4c6ad11d0674d00c/IMG_3563-lr.jpg" /&#62;
1970 STUDIES for childrens playground equipment, Boston. Butterfly slide with steps on the back, original photos









&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 



 



&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/5979d382a7e11693bb09f1115c193adb85c2593fef924b66024698fcab4f597d/IMG_3610.jpg" data-mid="35701162" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/5979d382a7e11693bb09f1115c193adb85c2593fef924b66024698fcab4f597d/IMG_3610.jpg" /&#62;
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&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/7bb40fa9ff26a503131d63a418104b693340eaa45ff9e73a3a3b3158599e0100/IMG_3641.jpg" data-mid="35701166" border="0"  src="https://freight.cargo.site/w/1000/i/7bb40fa9ff26a503131d63a418104b693340eaa45ff9e73a3a3b3158599e0100/IMG_3641.jpg" /&#62;
2019&#38;nbsp;FISHING RIG FLOATS fashioned to prevent brids from crashing into the studio window
The studio is situated in a location that allows for close inspection of nature, quiet reflection as a human being and member of local community.


&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/4ba19a229f4c4715d07ac673090fde1bbd39245ed2ac9995a559a354d1548996/IMG_E3571.jpg" data-mid="35706460" border="0"  src="https://freight.cargo.site/w/1000/i/4ba19a229f4c4715d07ac673090fde1bbd39245ed2ac9995a559a354d1548996/IMG_E3571.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/83a384fa12004bbb62d1fee26fc9ba22a9f76da30f129f822a31858d1f5104ab/IMG_4010.jpg" data-mid="111332552" border="0"  src="https://freight.cargo.site/w/1000/i/83a384fa12004bbb62d1fee26fc9ba22a9f76da30f129f822a31858d1f5104ab/IMG_4010.jpg" /&#62;
2019 LIZARD ON WALNUT SLAB Work In Progress. Example of Mary interpreting an unappreciated form in nature and reducing it to the essence while working directly with the dictates of permanent materials in an honest, imaginative way.




&#60;img width="800" height="600" width_o="800" height_o="600" data-src="https://freight.cargo.site/t/original/i/685a706506a2a6ac77b970644b990f297086e87429ffee42ff48f73bbf8d578b/Owl-eyes-Mary-Lewis.jpg" data-mid="44153465" border="0"  src="https://freight.cargo.site/w/800/i/685a706506a2a6ac77b970644b990f297086e87429ffee42ff48f73bbf8d578b/Owl-eyes-Mary-Lewis.jpg" /&#62;2019 OWL EYES from collection of “eyes found in nature” &#38;nbsp;

Say hello: Please direct inquiries to nickpdxthomas@gmail.com
</description>
		
	</item>
		
		
	<item>
		<title>Artist Bio &#38; Resume</title>
				
		<link>https://marylewissculptor.com/Artist-Bio-Resume</link>

		<pubDate>Sat, 25 May 2019 00:30:35 +0000</pubDate>

		<dc:creator>Mary Lewis Sculptor</dc:creator>

		<guid isPermaLink="true">https://marylewissculptor.com/Artist-Bio-Resume</guid>

		<description>&#60;img width="800" height="786" width_o="800" height_o="786" data-src="https://freight.cargo.site/t/original/i/38799aabc25c36a65ce9fef272e3d36e7135eb601290b8ccbf510f88b2fb32b5/Mary-Lewis-Photo-1960-s.jpg" data-mid="43955769" border="0" data-scale="63" src="https://freight.cargo.site/w/800/i/38799aabc25c36a65ce9fef272e3d36e7135eb601290b8ccbf510f88b2fb32b5/Mary-Lewis-Photo-1960-s.jpg" /&#62;
1960’s MARY LEWIS,&#38;nbsp;1926-2021






















Artist’s Statement:&#38;nbsp;Regardless of how talented the individual, to be an artist requires dedication, discipline, self-sacrafice and uncompromising hard work. Regardless of obstacles or fame or monetary gain, one creates because one must: it is in the fibre of one’s being. Often the only reward is the selfless joy along with the pain in the creative process, then the intended response from the viewer without further comment.
The truly great are few. But midst so much mediocrity, to aspire to becoming a good artist by realizing one’s potential is commendable. For through such good works one can make a meaningful contribution. I do not believe art should degrade by adding to the ugliness of the world, rather delight, inspire or in some way touch the heart and uplift the soul. My work is both liturgical and secular. My intent is to interpret an idea, a feeling, perhaps an unappreciated form in nature by reducing it to the essence and hopefully, instilling a spiritual quality while working directly with the dictates of permanent materials in an honest, imaginative way—Mary Lewis
&#60;img width="597" height="800" width_o="597" height_o="800" data-src="https://freight.cargo.site/t/original/i/a8d3cb76844762a60776f034f3540a4194d16b395e51be3d0b46184dc5f9c813/Mary-Lewis-carving-FISH.jpg" data-mid="43958589" border="0" data-scale="56" src="https://freight.cargo.site/w/597/i/a8d3cb76844762a60776f034f3540a4194d16b395e51be3d0b46184dc5f9c813/Mary-Lewis-carving-FISH.jpg" /&#62;
2008 Mary in her Columbia River studio carving FISH Redwood, 51” x 29”

Artist Milestones:1945 - 1950
B.S., Sculpture, University of Oregon with Mark Sponenburgh (teacher, mentor and lifelong friend).
&#60;img width="800" height="1023" width_o="800" height_o="1023" data-src="https://freight.cargo.site/t/original/i/2e93dc2fc831d0e1f5ac14396455d49b01028fd45ed3f7593128d706cfa9258c/Untitled-Bust-1947_48-Mary-Lewis.jpg" data-mid="43959423" border="0" data-scale="56" src="https://freight.cargo.site/w/800/i/2e93dc2fc831d0e1f5ac14396455d49b01028fd45ed3f7593128d706cfa9258c/Untitled-Bust-1947_48-Mary-Lewis.jpg" /&#62;
1947-48&#38;nbsp;UNTITLED BUST Glazed, pressed terra-cotta from a nine-piece plaster mold, life size
&#60;img width="800" height="733" width_o="800" height_o="733" data-src="https://freight.cargo.site/t/original/i/53c6e568416b5aed3abc2772a17e6023a9f7f37b841938dcc2938a7c3ec380e3/sketch-of-brother-john-summer-48.jpg" data-mid="44005926" border="0" data-scale="56" src="https://freight.cargo.site/w/800/i/53c6e568416b5aed3abc2772a17e6023a9f7f37b841938dcc2938a7c3ec380e3/sketch-of-brother-john-summer-48.jpg" /&#62;&#60;img width="800" height="526" width_o="800" height_o="526" data-src="https://freight.cargo.site/t/original/i/1c605dce5bb9f1609f0bd7525c7f707f242cba557a19883f6d3d1a0751bd8500/The-Old-Mill-Elkhorn-Montana.jpg" data-mid="44005927" border="0" data-scale="56" src="https://freight.cargo.site/w/800/i/1c605dce5bb9f1609f0bd7525c7f707f242cba557a19883f6d3d1a0751bd8500/The-Old-Mill-Elkhorn-Montana.jpg" /&#62;
 Summer 1948 BROTHER, JOHN  asleep after his shift in the mine, pencil.&#38;nbsp;THE OLD MILL (above) Elkhorn, Montana, pencil and watercolor.&#38;nbsp;
Context of the Elkhorn drawings:“My father was a Mining Engineer and Geologist. In 1933 he resigned from his position with the U.S. General Land Office to pursue his interests in the Elkhorn District until his death in 1974.

I was studying art with a major in sculpture and took any summer job I could find to finance my education. In the summer of 1948 Dad hired my Brother, John, and me to watch the pumps in one of the old mines that he was exploring (if the pumps stopped, the water level rose again to flood the mine).&#38;nbsp;

While John slept after his shift, I walked up the lonely dark road with flashlight and our collie, King to our “office.” Every two hours I lighted my lamp and let myself down the inclined shaft, hand over hand on the rope to some depth until I could hear the pump running and know that all was well. I remember the absolute darkness except from my dim lamp, the smell of carbide, the dripping water in unseen pools around me. Then, two bright eyes of our faithful dog welcomed me at the head of the shaft on my return.

When the sun came up, I illustrated letters to friends and made drawings. How I found the courage for this job, I do not know. But my studies were all important, and youth has no fears. Ironically, I have never liked anything to do with mining. My interest is in the big stones suitable for carving.”&#38;nbsp;
1950 - 1953Master of Fine Arts, Syracuse University. Mabel Merwin Fellowship and technical assistant to Ivan Mestrovic.

&#60;img width="700" height="1273" width_o="700" height_o="1273" data-src="https://freight.cargo.site/t/original/i/3aed00082e84df9c77a81ad14afd02ed3c16c666b777b052f1bf2736fea46d3a/woman-in-pensive-mood-1-mary-lewis.jpg" data-mid="44006754" border="0"  src="https://freight.cargo.site/w/700/i/3aed00082e84df9c77a81ad14afd02ed3c16c666b777b052f1bf2736fea46d3a/woman-in-pensive-mood-1-mary-lewis.jpg" /&#62;
&#60;img width="600" height="1129" width_o="600" height_o="1129" data-src="https://freight.cargo.site/t/original/i/3646e24a9c2fdee7610b9bf0cae99a9d94427a0d507ccc84fe69ebae82ce882a/woman-in-pensive-mood-3-mary-lewis.jpg" data-mid="44006756" border="0"  src="https://freight.cargo.site/w/600/i/3646e24a9c2fdee7610b9bf0cae99a9d94427a0d507ccc84fe69ebae82ce882a/woman-in-pensive-mood-3-mary-lewis.jpg" /&#62;
&#60;img width="700" height="1413" width_o="700" height_o="1413" data-src="https://freight.cargo.site/t/original/i/fe6c061a26bd41b8311968d1257a60a5f253a459d6884f17479b15fc95ac6f66/woman-in-pensive-mood-2-mary-lewis.jpg" data-mid="44006755" border="0"  src="https://freight.cargo.site/w/700/i/fe6c061a26bd41b8311968d1257a60a5f253a459d6884f17479b15fc95ac6f66/woman-in-pensive-mood-2-mary-lewis.jpg" /&#62;
1950&#38;nbsp;WOMAN IN PENSIVE MOOD Charred Poplar, life size

&#60;img width="800" height="830" width_o="800" height_o="830" data-src="https://freight.cargo.site/t/original/i/96a67572f760d944909b9fe2b7a0d5ed9a55dcd13733826bec5f15ce72e4aa2f/Despair-studio-Ivan-Mestrovic.jpg" data-mid="45211386" border="0" data-scale="56" src="https://freight.cargo.site/w/800/i/96a67572f760d944909b9fe2b7a0d5ed9a55dcd13733826bec5f15ce72e4aa2f/Despair-studio-Ivan-Mestrovic.jpg" /&#62;
1950 DESPAIR Work in progress at Syracuse University. “Woman in a Pensive Mood” seen behind and another students work seen in the background.
1953 - 1955
Tiffany traveling scholarship ($500) + small jobs to earn ship fare and travel money. Sailed to France, stayed in Paris 6 weeks, purchased bicycle, toured France, sold worn out bike at Cannes, hitchhiked to Italy, sailed home to Montana from Naples.
&#60;img width="800" height="586" width_o="800" height_o="586" data-src="https://freight.cargo.site/t/original/i/c29569870d874d6e6874c3e831bb9bd16119ebd82e363f2df9855c7a5acbf111/Mary-lewis-Roman-Landscape-1954.jpg" data-mid="44005925" border="0" data-scale="56" src="https://freight.cargo.site/w/800/i/c29569870d874d6e6874c3e831bb9bd16119ebd82e363f2df9855c7a5acbf111/Mary-lewis-Roman-Landscape-1954.jpg" /&#62;1954 ROMAN LANDSCAPE Pencil and watercolor
1955 &#38;amp; 1956Woodbury, CT. Purchased and moved a little house to the land of Syracuse associate and lived there for a short while.&#38;nbsp;
&#38;nbsp;

&#60;img width="800" height="549" width_o="800" height_o="549" data-src="https://freight.cargo.site/t/original/i/2473c6baf703cbcafbb79232a43b0d58930d61dc65f0fca3eedca0e7eb9ec7be/1956-little-house.jpg" data-mid="43959380" border="0"  src="https://freight.cargo.site/w/800/i/2473c6baf703cbcafbb79232a43b0d58930d61dc65f0fca3eedca0e7eb9ec7be/1956-little-house.jpg" /&#62;
&#60;img width="600" height="510" width_o="600" height_o="510" data-src="https://freight.cargo.site/t/original/i/6d3b6db8516a035f98a4b7f64bb05f09979731b3e39cdd4d5e03c1ef6b797f44/1956-little-house-drawing.jpg" data-mid="43960128" border="0"  src="https://freight.cargo.site/w/600/i/6d3b6db8516a035f98a4b7f64bb05f09979731b3e39cdd4d5e03c1ef6b797f44/1956-little-house-drawing.jpg" /&#62;


1956&#38;nbsp;LITTLE HOUSE&#38;nbsp;purchased for $50. Drawing from letter home describing renovations.






“During October I was working seven days a week to save extra funds for the foundation and moving of my little house. Early morning I would rise to lay a cement block or two, and so the foundation finally rose to completion. One early Saturday morning the little house was raised by the block and lever system to a long, low truck and transported down Main Street, Flanders Road, up our little dirt road, through a bar-way, across the back field and finally to a point where the truck could not go. From there it was lowered and gradually rolled to its final resting place where it stands now triumphantly. Now the little house awaits only my time for redecoration of the interior, repairs and minor carpentry.”—Decmber 18, 1956





1957 - 1958Boston. Assistant in the studio of Adio diBiccari and Arcangelo Cascieri.











&#60;img width="2269" height="1184" width_o="2269" height_o="1184" data-src="https://freight.cargo.site/t/original/i/be4ee8f1696cd3b882caa431a70afc3864bd347dcdbcd698629eded49c2a8dae/letter-from-boston-studio.jpg" data-mid="44132990" border="0"  src="https://freight.cargo.site/w/1000/i/be4ee8f1696cd3b882caa431a70afc3864bd347dcdbcd698629eded49c2a8dae/letter-from-boston-studio.jpg" /&#62;1957 Mary Lewis&#38;nbsp;BOSTON STUDIO illustrated in letter to family, “It is a large room, sufficient for studio and living. The bricks and beams are beautiful, the cement floor and skylight ideal.”


&#60;img width="690" height="900" width_o="690" height_o="900" data-src="https://freight.cargo.site/t/original/i/7057ea57f7b4b8460601f5e5e1a8df6644352282d97c655ff05806fd2ab56737/St-Benedict-2-mary-Lewis-sculptor.jpg" data-mid="45210804" border="0" data-scale="100" src="https://freight.cargo.site/w/690/i/7057ea57f7b4b8460601f5e5e1a8df6644352282d97c655ff05806fd2ab56737/St-Benedict-2-mary-Lewis-sculptor.jpg" /&#62;
&#60;img width="678" height="900" width_o="678" height_o="900" data-src="https://freight.cargo.site/t/original/i/a71ea59ed75906d996b732ef784555be7bc68bf5f1065da3dc03d11743acf1ea/St-Benedict-Mary-Lewis-Sculptor.jpg" data-mid="45210806" border="0"  src="https://freight.cargo.site/w/678/i/a71ea59ed75906d996b732ef784555be7bc68bf5f1065da3dc03d11743acf1ea/St-Benedict-Mary-Lewis-Sculptor.jpg" /&#62;
1957&#38;nbsp;ST. BENEDICT created in the BOSTON STUDIO Plaster

1958 - 1960

Awarded Fulbright scholarships (2) and spent two years in Pakistan teaching at the National College of Arts, Lahore. Mark Sponenburgh was there as Principal to upgrade the college and asked Mary to come to establish a sculpture department and teach.
&#60;img width="649" height="1000" width_o="649" height_o="1000" data-src="https://freight.cargo.site/t/original/i/6e8b3e3f3b7611a689a8277dc62e8436f4f95712f6a88258a42fe514cdeec4a4/National-College-of-Arts-prospectus.jpg" data-mid="45210803" border="0" data-scale="56" src="https://freight.cargo.site/w/649/i/6e8b3e3f3b7611a689a8277dc62e8436f4f95712f6a88258a42fe514cdeec4a4/National-College-of-Arts-prospectus.jpg" /&#62;

1959 - 1960&#38;nbsp;PROSPECTUS Mary listed as an instructor. “In recognition of your most valuable contribution in the setting up of the National&#38;nbsp; College of Arts in its early years, and your professional work”—1988 letter from the Ministry of Education, naming Mary a Fellow of the National College of Arts, Pakistan.
&#60;img width="800" height="629" width_o="800" height_o="629" data-src="https://freight.cargo.site/t/original/i/910450ec74ddfbff414d980a535ce945e4dd2dbd6f65dc1b441400513d941294/Untitled-BAS-Relief-1960-Pakistan.jpg" data-mid="44132765" border="0" data-scale="56" src="https://freight.cargo.site/w/800/i/910450ec74ddfbff414d980a535ce945e4dd2dbd6f65dc1b441400513d941294/Untitled-BAS-Relief-1960-Pakistan.jpg" /&#62;1960&#38;nbsp;UNTITLED bas-relief, Mica schist from Peshawar, Pakistan, 18” x 15” x 2”


1960 - 1968

Independent sculptor, Woodbury, CT. Friends found a chicken brooder house in town which Mary cleaned and converted to a studio and home. Assistant to Clare Leighton (1960-1962), creating stained glass window drawings for St. Paul’s Cathedral in Worcester, MA. Mary also taught private students.&#38;nbsp;&#60;img width="800" height="610" width_o="800" height_o="610" data-src="https://freight.cargo.site/t/original/i/202dfad31ae58c9b92cbdaed1028ed189261c5806e6c39f85751e5c34c3f93a2/Virginia-Murrey-Chicken-Brooder-Painting.jpg" data-mid="44005922" border="0" data-scale="63" src="https://freight.cargo.site/w/800/i/202dfad31ae58c9b92cbdaed1028ed189261c5806e6c39f85751e5c34c3f93a2/Virginia-Murrey-Chicken-Brooder-Painting.jpg" /&#62;


&#60;img width="800" height="794" width_o="800" height_o="794" data-src="https://freight.cargo.site/t/original/i/bd0c8313c384c2a236845e3ad6e9fb5d67a9a8260050c5f515f5b81f109a44e6/mary-lewis-chicken-brooder-studio-2.jpg" data-mid="44005935" border="0"  src="https://freight.cargo.site/w/800/i/bd0c8313c384c2a236845e3ad6e9fb5d67a9a8260050c5f515f5b81f109a44e6/mary-lewis-chicken-brooder-studio-2.jpg" /&#62;
&#60;img width="842" height="846" width_o="842" height_o="846" data-src="https://freight.cargo.site/t/original/i/3adf78db91d08769d0b336ac58651ac5fcf5702d3daec080725fb82fa591dba2/Mary-Lewis-chicken-brooder-studio.jpg" data-mid="44005936" border="0"  src="https://freight.cargo.site/w/842/i/3adf78db91d08769d0b336ac58651ac5fcf5702d3daec080725fb82fa591dba2/Mary-Lewis-chicken-brooder-studio.jpg" /&#62;
1960&#38;nbsp;CHICKEN BROODER STUDIO painting by Virginia Murrey and photos of MARY LEWIS in the studio. Ceramic jar and fare from Pakistan plus, the artists sculptures visible in the painting and photos.

&#60;img width="667" height="800" width_o="667" height_o="800" data-src="https://freight.cargo.site/t/original/i/07b9d5b6b4084f38ac98a1d48c6466be37c99ef478ec039fde3ead7c34b3c573/Turkey-Brooder-Studio-before.jpg" data-mid="44005931" border="0"  src="https://freight.cargo.site/w/667/i/07b9d5b6b4084f38ac98a1d48c6466be37c99ef478ec039fde3ead7c34b3c573/Turkey-Brooder-Studio-before.jpg" /&#62;
&#60;img width="808" height="800" width_o="808" height_o="800" data-src="https://freight.cargo.site/t/original/i/e6be004e65543d02d0495418c83fda2d8a212d6cc0113b3c698c84a897a5d193/turker-brooder-studio-before-2.jpg" data-mid="44005928" border="0"  src="https://freight.cargo.site/w/808/i/e6be004e65543d02d0495418c83fda2d8a212d6cc0113b3c698c84a897a5d193/turker-brooder-studio-before-2.jpg" /&#62;
1964 an abandoned&#38;nbsp;TURKEY BROODER HOUSE was found at the other end of town after the chicken brooder house was unexpectedly sold. Before photos above with Mary cleaning and converting into a home and studio (along with an understanding landlord who helped).&#38;nbsp;

&#60;img width="800" height="559" width_o="800" height_o="559" data-src="https://freight.cargo.site/t/original/i/4e063c1b76a1c3437720acdece287ceb277ebe47de4a7067aca828a33ec091cc/turkey-brooder-studio-after.jpg" data-mid="44005930" border="0" data-scale="63" src="https://freight.cargo.site/w/800/i/4e063c1b76a1c3437720acdece287ceb277ebe47de4a7067aca828a33ec091cc/turkey-brooder-studio-after.jpg" /&#62;&#60;img width="800" height="562" width_o="800" height_o="562" data-src="https://freight.cargo.site/t/original/i/06bad0b961dcc996d5c365e5535c37d43324e7a4391281f212f6ea632e14dd66/turkey-brooder-studio-after-2.jpg" data-mid="44005929" border="0" data-scale="63" src="https://freight.cargo.site/w/800/i/06bad0b961dcc996d5c365e5535c37d43324e7a4391281f212f6ea632e14dd66/turkey-brooder-studio-after-2.jpg" /&#62;1962 TURKEY BROODER STUDIO (after). Consistent theme of red color across all studios.&#38;nbsp;Summer 1965Sculptor, Oceanographic Museum, Newport, OR


1970 - 1976

Returned to Oregon. Rented the only house on Main Street, Tigard, an oasis with a big Maple tree in front, little yard in back and snakes under the house midst the businesses—low rent. Staff artist, View-Master.



&#60;img width="800" height="796" width_o="800" height_o="796" data-src="https://freight.cargo.site/t/original/i/42f0650e7a8dee28e13663b3de0c6f6bc5fb7777c4cee1bbea2a375b237e8a99/The-Little-Yellow-Dinosaur.jpg" data-mid="44009075" border="0"  src="https://freight.cargo.site/w/800/i/42f0650e7a8dee28e13663b3de0c6f6bc5fb7777c4cee1bbea2a375b237e8a99/The-Little-Yellow-Dinosaur.jpg" /&#62;
&#60;img width="800" height="795" width_o="800" height_o="795" data-src="https://freight.cargo.site/t/original/i/e5cbc94baf3b0908f721094f4c3bdc54e221275160d5808d5ab8e16ed38b6ee8/In-the-beginning-mary-lewis.jpg" data-mid="44009058" border="0"  src="https://freight.cargo.site/w/800/i/e5cbc94baf3b0908f721094f4c3bdc54e221275160d5808d5ab8e16ed38b6ee8/In-the-beginning-mary-lewis.jpg" /&#62;
1971&#38;nbsp;THE LITTLE YELLOW DINOSAUR and&#38;nbsp;1972 IN THE BEGINNING Illustrator, sculptor and co-author. Pause to look closely at The Little Yellow Dinosaur, perfectly nestled on the neck of Triceratops. 











&#60;img width="800" height="551" width_o="800" height_o="551" data-src="https://freight.cargo.site/t/original/i/d1647b1044bd250cb0867d22d645c0e706500d2f7e610da9ab94e091f6d5b7c0/mary-Lewis-viewmaster-1.jpg" data-mid="45212099" border="0"  src="https://freight.cargo.site/w/800/i/d1647b1044bd250cb0867d22d645c0e706500d2f7e610da9ab94e091f6d5b7c0/mary-Lewis-viewmaster-1.jpg" /&#62;
&#60;img width="800" height="574" width_o="800" height_o="574" data-src="https://freight.cargo.site/t/original/i/19fa98512f4ebb8acd6dcea370b9ccc8d9a8ac1f4ac8d9821b020b4a78af519d/Mary-lewis-viewmaster-2.jpg" data-mid="45212100" border="0"  src="https://freight.cargo.site/w/800/i/19fa98512f4ebb8acd6dcea370b9ccc8d9a8ac1f4ac8d9821b020b4a78af519d/Mary-lewis-viewmaster-2.jpg" /&#62;
&#60;img width="800" height="564" width_o="800" height_o="564" data-src="https://freight.cargo.site/t/original/i/b1abe5ad40bd9e6b97416a6e6b62ff139d83196be7ce552f948b64e395271e35/mary-lewis-viewmaster-6.jpg" data-mid="45212103" border="0"  src="https://freight.cargo.site/w/800/i/b1abe5ad40bd9e6b97416a6e6b62ff139d83196be7ce552f948b64e395271e35/mary-lewis-viewmaster-6.jpg" /&#62;
&#60;img width="800" height="559" width_o="800" height_o="559" data-src="https://freight.cargo.site/t/original/i/fbc4db0576caa5e0931cdc006364e7e64bb6c5ec0a7a961a3f0ab4f6936e0b59/Mary-Lewis-viewmaster-3.jpg" data-mid="45212101" border="0"  src="https://freight.cargo.site/w/800/i/fbc4db0576caa5e0931cdc006364e7e64bb6c5ec0a7a961a3f0ab4f6936e0b59/Mary-Lewis-viewmaster-3.jpg" /&#62;
&#60;img width="800" height="553" width_o="800" height_o="553" data-src="https://freight.cargo.site/t/original/i/deb78e43d9d9184aca1684a1acfee49f99bf9152be1537df728dd9cc15e83ead/Mary-Lewis-viewmanster-4.jpg" data-mid="45363089" border="0"  src="https://freight.cargo.site/w/800/i/deb78e43d9d9184aca1684a1acfee49f99bf9152be1537df728dd9cc15e83ead/Mary-Lewis-viewmanster-4.jpg" /&#62;
&#60;img width="800" height="560" width_o="800" height_o="560" data-src="https://freight.cargo.site/t/original/i/f1fc3ee95a5e20a3b40db3132c1fa2ef664b94703ef960f73e0a6d7abcaf7217/mary-lewis-viewmaster-7.jpg" data-mid="45212104" border="0"  src="https://freight.cargo.site/w/800/i/f1fc3ee95a5e20a3b40db3132c1fa2ef664b94703ef960f73e0a6d7abcaf7217/mary-lewis-viewmaster-7.jpg" /&#62;
&#60;img width="800" height="516" width_o="800" height_o="516" data-src="https://freight.cargo.site/t/original/i/dc9ab3fdab36e2a0f56e356884931c658dd442e54541b745cf0462d99d0eeb4a/mary-lewis-viewmaster-5.jpg" data-mid="45212102" border="0" data-scale="100" src="https://freight.cargo.site/w/800/i/dc9ab3fdab36e2a0f56e356884931c658dd442e54541b745cf0462d99d0eeb4a/mary-lewis-viewmaster-5.jpg" /&#62;
1970 - 1976 The View-Master packets contained 3-D, stereo pictures designed especially for children. Mary worked to bring art to the medium: creatures with human features and personality. Work included research, storyboards, sketches, modeling, painting, sets and props. Working with studio photographer, Hank Gaylord, production was a collaborative effort. Each project required one year.




&#38;nbsp;
1977 - Present

Built studio and continued as practicing sculptor to date. Now age 94.





&#60;img width="603" height="800" width_o="603" height_o="800" data-src="https://freight.cargo.site/t/original/i/9ce9d45da4ee8e7e8ac51d94aa1f1d439694feb410b3a4a419cbc2be71aeff6f/1977-Mary-lewis-in-studio.jpg" data-mid="44005938" border="0" data-scale="56" src="https://freight.cargo.site/w/603/i/9ce9d45da4ee8e7e8ac51d94aa1f1d439694feb410b3a4a419cbc2be71aeff6f/1977-Mary-lewis-in-studio.jpg" /&#62;
1978 In the new studio nearing completion of MOTHER and CHILD. Positioned at height, with windows covered and skylight louvers closed to manage light and simulate the finished installation.
Public Installations:
1964 Waterbury Club, CT—mahogany and copper “Obadiah” (bird) and “Skunk Cabbage.” 1965 Boston, MA, Prouty Garden Children’s Hospital—pumice “Toad.” 1978 Roseburg, OR, St Josephs Church Chapel—maple “Madonna and Child.” 1984 Longview, WA, St. John Medical Center—rosewood “Mother and Son” and alder tabernacle door in the chapel. 1985 St. Helens, OR, St. Frederic’s Church—maple “The Holy Family” and maple “Descent of the Holy Spirit” 1987. 1989 / 2005 Portland, OR, The Grotto Peace Garden—twenty bronze reliefs “Mysteries of the Rosary.” 1991 Longview, WA, St. Stephen’n Episcopal Church columbarium—bronze “Resurrection,” edition 2. 1996 Sacramento, CA, Trinity Cathedral Church—bronze aumbry door “Descent of the Holy Spirit,” edition 2. 2000 Longview, WA, St. John Medical Center garden wall—five bronze reliefs (from the Grotto installation). 2006 Portland, OR, OHSU Center for Women’s Health—bronze “Mother and Child.” 2007 Lafayette, OR, Our Lady of Guadalupe Trappist Abbey—laminated white oak doors (four), new church by architect Dave Richen. 2009 Longview, WA, Columbia Theater for the Performing Arts donor wall—monkey pod wood “The Columbia River.” Majority of work exists in private collections.




&#38;nbsp;
&#60;img width="649" height="1000" width_o="649" height_o="1000" data-src="https://freight.cargo.site/t/original/i/97c98c4e5230e1c1e3eb8501b5c6c1dd71069e18b1bb8da6a062729d00e2ff7a/62-Annual-Exhibition.jpg" data-mid="45210809" border="0" data-scale="100" src="https://freight.cargo.site/w/649/i/97c98c4e5230e1c1e3eb8501b5c6c1dd71069e18b1bb8da6a062729d00e2ff7a/62-Annual-Exhibition.jpg" /&#62;
&#60;img width="637" height="1000" width_o="637" height_o="1000" data-src="https://freight.cargo.site/t/original/i/f9e881900738ea191445f8b79d5eccfb809f26109670b0c300e69f096d269e30/Artists-of-oregon-1969-Mary-lewis.jpg" data-mid="45210810" border="0"  src="https://freight.cargo.site/w/637/i/f9e881900738ea191445f8b79d5eccfb809f26109670b0c300e69f096d269e30/Artists-of-oregon-1969-Mary-lewis.jpg" /&#62;


Exhibitions:

1951 / 1969 Portland Art Museum, Artists of Oregon. 1952 Syracuse Museum of Fine Art. 1959 / 1960 National College of Arts, Lahore, Pakistan. 1961 / 1963 Annual New England Exhibitions, Silvermine Guild of Artists, New Canaan, CT. 1963 / 1964 New Haven Paint and Clay Club, John Slade Ely Center, Invitational and Annuals. 1966 Waterbury Arts Festival. 1967 Plaza 7 Annual Arts Festival Regional, Hartford, CT. 1981 Lower Columbia College Fine Arts Gallery Retrospective and 1983 Printmaking Group Invitational, Longview, WA. 1984 Marylhurst College, Solo exhibition, Liturgical Arts Resource Center (LARC) Invitational, Portland, OR. 1988 LoThe Grotto, Magnificat: A Festival of Christian Art, Portland, OR. Magnificat: A Festival of Christian Art, Portland, OR. 1988 Gallery Genesis, Chicago. 1997 / 1998 Works of Faith and 1997 / 1997 Gifts of Spirit Invitational, First Presbyterian Church Gallery, Portland, OR. 2000 Retrospective, Lower Columbia College, Longview,&#38;nbsp;WA 2011&#38;nbsp;Retrospective, First Congregational United Church of Christ, Portland, OR. 2011 Group exhibbiton, “Divergent,” Lower Columbia College Fine Arts Gallery 

&#60;img width="800" height="600" width_o="800" height_o="600" data-src="https://freight.cargo.site/t/original/i/083b583b9b9c90a09eb685f1b615a4e65cc2a9ef45093c81f02cd8479cda83cc/Mary-Lewis-Retrospective-1981-.jpg" data-mid="45210800" border="0"  src="https://freight.cargo.site/w/800/i/083b583b9b9c90a09eb685f1b615a4e65cc2a9ef45093c81f02cd8479cda83cc/Mary-Lewis-Retrospective-1981-.jpg" /&#62;
&#60;img width="800" height="609" width_o="800" height_o="609" data-src="https://freight.cargo.site/t/original/i/c12c003c0c075d83de27f0b090711d87104aeacb876d93fe7e165d408e3f58e4/Mary-Lewis-Retrospective-2-1981.jpg" data-mid="45210799" border="0"  src="https://freight.cargo.site/w/800/i/c12c003c0c075d83de27f0b090711d87104aeacb876d93fe7e165d408e3f58e4/Mary-Lewis-Retrospective-2-1981.jpg" /&#62;
&#60;img width="800" height="436" width_o="800" height_o="436" data-src="https://freight.cargo.site/t/original/i/c6a17ebb5679a3085d5bd51256a46aea351f22fdc4a0a8789eb531b2a9bc13cb/Mary-Lewis-Marylhurst-Exhibition.jpg" data-mid="45210798" border="0" data-scale="100" src="https://freight.cargo.site/w/800/i/c6a17ebb5679a3085d5bd51256a46aea351f22fdc4a0a8789eb531b2a9bc13cb/Mary-Lewis-Marylhurst-Exhibition.jpg" /&#62;
Publications:1971 "The Little Yellow Dinosaur,” View-Master, co-author and illustrator.

1972 “In the Beginning—The Bible Story of Creation, Adam and Eve, Cain and Abel,” View-Master, co-author and illustrator1976 “Jesus Christ—His Youth, Disciples, Miracles,” View-Master, co-author and original creation

1986 Contemporary American Women Sculptors, Virginia Watson-Jones

2004 Beginning Sculpture, Arthur Williams

2004 The Sculpture Reference, Arthur Williams

2016 Who’s Who in American Art—36th EditionRecognition:
1945-49 Scholarships and 1949-50 Graduate Assistant (teaching), University of Oregon

1950- 51 Mabel Merwin Fellowship, American Association of University Women, Oregon Division, for study with Ivan Mestrovic

1951 - 53 Technical Assistant to Ivan Mestrovic

1953 Tiffany Traveling Scholarship

1958 and 1959 Fulbright Scholarships (2), Lahore, Pakistan

1987 Sacred Art Society award, Portland, OR

1998 Fellow, National College of Arts, Lahore, Pakistan











“To create is necessary to my being, regardless of obstacles, fame or monetary gain.”

&#60;img width="2906" height="2906" width_o="2906" height_o="2906" data-src="https://freight.cargo.site/t/original/i/026a4fcbcff6355fa8a621df02c2a292eee690780067043b2e99f33f9ada56b6/07A144B7-482C-4DFD-A716-12307E5E9B5C.JPG" data-mid="111331822" border="0"  src="https://freight.cargo.site/w/1000/i/026a4fcbcff6355fa8a621df02c2a292eee690780067043b2e99f33f9ada56b6/07A144B7-482C-4DFD-A716-12307E5E9B5C.JPG" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/22a77e8fc3480d28b69a6376e13241502d8d4e2e16ac76f4b6885116daaa15cb/IMG_3993.jpg" data-mid="111331843" border="0"  src="https://freight.cargo.site/w/1000/i/22a77e8fc3480d28b69a6376e13241502d8d4e2e16ac76f4b6885116daaa15cb/IMG_3993.jpg" /&#62;
April 13, 2021 lunch, studio tour and piano performance”If you are dedicated enough, you can make it.”

Say hello: Please direct inquiries to nickpdxthomas@gmail.com






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	<item>
		<title>Limited Editions</title>
				
		<link>https://marylewissculptor.com/Limited-Editions</link>

		<pubDate>Sun, 17 Feb 2019 02:06:10 +0000</pubDate>

		<dc:creator>Mary Lewis Sculptor</dc:creator>

		<guid isPermaLink="true">https://marylewissculptor.com/Limited-Editions</guid>

		<description>
&#60;img width="541" height="1200" width_o="541" height_o="1200" data-src="https://freight.cargo.site/t/original/i/2cd932a689a03377d1416aac9ba958b115171072f9d71048ee111f1cd6051c08/Calla-Lilies.jpg" data-mid="43893021" border="0"  src="https://freight.cargo.site/w/541/i/2cd932a689a03377d1416aac9ba958b115171072f9d71048ee111f1cd6051c08/Calla-Lilies.jpg" /&#62;
&#60;img width="1200" height="885" width_o="1200" height_o="885" data-src="https://freight.cargo.site/t/original/i/61d551becdc59eb28c73a2b56c764a5b379e333ac60a9ce1abcca7f93ec308a2/Calla-Lilies-Detail.jpg" data-mid="43893019" border="0"  src="https://freight.cargo.site/w/1000/i/61d551becdc59eb28c73a2b56c764a5b379e333ac60a9ce1abcca7f93ec308a2/Calla-Lilies-Detail.jpg" /&#62;
 SOLD—2009-2010, CALLA LILIES,&#38;nbsp; 78” x 24” x 3” Black Walnut&#38;nbsp;carved relief&#38;nbsp;

“I have the urge to carve, I can’t explain it, I have the urge to create.”


&#60;img width="561" height="750" width_o="561" height_o="750" data-src="https://freight.cargo.site/t/original/i/337161eff197f3a66de603798824749993119def514e5f47db9df0cea0f211cb/Creature-Bug-Print_MS.jpg" data-mid="43893678" border="0"  src="https://freight.cargo.site/w/561/i/337161eff197f3a66de603798824749993119def514e5f47db9df0cea0f211cb/Creature-Bug-Print_MS.jpg" /&#62;
&#60;img width="750" height="505" width_o="750" height_o="505" data-src="https://freight.cargo.site/t/original/i/b522cfacad6a553b5b688fd44f8cb6bef5c0abc94cdb6ad1557cbb3e024f616a/Asleep-In-The-Deep_MS.jpg" data-mid="43893659" border="0"  src="https://freight.cargo.site/w/750/i/b522cfacad6a553b5b688fd44f8cb6bef5c0abc94cdb6ad1557cbb3e024f616a/Asleep-In-The-Deep_MS.jpg" /&#62;
SOLD—1983 CREATURE (Bug) approx 20” x 30” three color wood block print
SOLD—1983 ASLEEP IN THE DEEP (Octopus) approx 20” x 30” wood block print 
 History of woodcuts: An instructor at the Lower Columbia College received a grant to teach printmaking to six practicing artists. Working from life and not photographs, the Octopus was sketched at the Aquarium in Astoria, Oregon. ”Creature” was inspired by a drawing of a bug on the screen door of a hotel in Peshwar, Pakistan. The thistle below was sketched from the forest outside the Mary’s studio.Say hello: Please direct inquiries to info@marylewissculptor.com
&#60;img width="654" height="586" width_o="654" height_o="586" data-src="https://freight.cargo.site/t/original/i/5bdd9e521ab725ad75bfa424036cd1448008bf1e4f63d390744d02c8088fb703/Screen-Shot-2021-06-14-at-8.45.06-AM.png" data-mid="111330465" border="0"  src="https://freight.cargo.site/w/654/i/5bdd9e521ab725ad75bfa424036cd1448008bf1e4f63d390744d02c8088fb703/Screen-Shot-2021-06-14-at-8.45.06-AM.png" /&#62;SOLD — STORYBOARD DRAWING COLLECTIONFourty-six (46) original storyboard illustrations from the 1976 View-Master Bible Story, “Jesus Christ, His Life, Disciples, Miracles.” Pencil on tissue mounted to mat board. Passages curated and depicted solely by Mary. Twent-one of these sketches were turned into a View-Master set. This is a sample of illustrations from the larger storyboard drawing collection.
&#60;img width="900" height="900" width_o="900" height_o="900" data-src="https://freight.cargo.site/t/original/i/7ca1e19bf6e03921b9168c88930922935be7761664b975d99d629ad3c4f699ed/Jesus-Christ_His-Life_Mary-Lewis_1.jpg" data-mid="111328816" border="0"  src="https://freight.cargo.site/w/900/i/7ca1e19bf6e03921b9168c88930922935be7761664b975d99d629ad3c4f699ed/Jesus-Christ_His-Life_Mary-Lewis_1.jpg" /&#62;
&#60;img width="900" height="900" width_o="900" height_o="900" data-src="https://freight.cargo.site/t/original/i/3ac4ee9916571075ced135067eec3a93aaf5f18f6ce5eae29c9b55e3e4ba252e/Jesus-Christ_His-Life_Mary-Lewis_3.jpg" data-mid="111328818" border="0"  src="https://freight.cargo.site/w/900/i/3ac4ee9916571075ced135067eec3a93aaf5f18f6ce5eae29c9b55e3e4ba252e/Jesus-Christ_His-Life_Mary-Lewis_3.jpg" /&#62;

AVAILABLE—LIMITED EDITIONS IN BRONZEThese limited edition reliefs, depicting the Mysteries of the Rosary, are incorporated into the landscaping of the Peace Garden at the Grotto (international Catholic shrine and botanical garden in Portland, Oregon). Intended to be unique and not mass produced, the sculptor has been given permission to cast&#38;nbsp; limited editions at her discretion for special installations.

&#38;nbsp;
&#60;img width="3680" height="5484" width_o="3680" height_o="5484" data-src="https://freight.cargo.site/t/original/i/da92caefd43a0f56bb02332ffcd584e89a5a60813c08f3723b2bdec78ed5a2e5/Birth-of-Jesus-sketch.jpg" data-mid="43885340" border="0"  src="https://freight.cargo.site/w/1000/i/da92caefd43a0f56bb02332ffcd584e89a5a60813c08f3723b2bdec78ed5a2e5/Birth-of-Jesus-sketch.jpg" /&#62;
&#60;img width="600" height="936" width_o="600" height_o="936" data-src="https://freight.cargo.site/t/original/i/a6d10f49010c74bfea2d3fa23392adbdbdc438bae6189a957c0befaf9c1a104f/Birth-of-Jesus-Bronze-2.jpg" data-mid="43905182" border="0"  src="https://freight.cargo.site/w/600/i/a6d10f49010c74bfea2d3fa23392adbdbdc438bae6189a957c0befaf9c1a104f/Birth-of-Jesus-Bronze-2.jpg" /&#62;
&#60;img width="644" height="967" width_o="644" height_o="967" data-src="https://freight.cargo.site/t/original/i/2f35949747ff3ff1b95f7e4a3fe423d8931e2a4d73940486e09d41a64d9a34f1/Birth-of-Jesus-clay.jpg" data-mid="43951410" border="0"  src="https://freight.cargo.site/w/644/i/2f35949747ff3ff1b95f7e4a3fe423d8931e2a4d73940486e09d41a64d9a34f1/Birth-of-Jesus-clay.jpg" /&#62;

$9,500—Cast Bronze 18” x 27” x 1.5”, drawing and clay model, from The Joyful Mysteries: “Birth of Jesus”



&#60;img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/bb8894f443af4ff1632b41ec8f96f62809e938b2a2236da8f588f1bbc4c432e5/Annunciation-Bronze.jpg" data-mid="43885329" border="0"  src="https://freight.cargo.site/w/800/i/bb8894f443af4ff1632b41ec8f96f62809e938b2a2236da8f588f1bbc4c432e5/Annunciation-Bronze.jpg" /&#62;
&#60;img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/088cfef6e0885c279803741720d61f4a49a791116e58dfb1ad423d0715343bd8/Annunciation-Clay.jpg" data-mid="43885330" border="0"  src="https://freight.cargo.site/w/800/i/088cfef6e0885c279803741720d61f4a49a791116e58dfb1ad423d0715343bd8/Annunciation-Clay.jpg" /&#62;

$8,500&#38;nbsp;Cast Bronze 18” x 18” x 1.5”, clay model and casting detail, from The Joyful Mysteries: “Annunciation”
 Casting time to be estimated at the time of deposit. Foundry costs are subject to change. Prices will be confirmed when interest is expressed. 18” x 18” x 2.5” reliefs: $8,500.00 / 18” x 27” x 2.5” reliels: $9,500.00 / 33” x 42” x 1.75” Crucifix: $13,500.00 &#38;nbsp;

Inquiries: Call (503) 490-5482 or e-mail info@marylewissculptor.com



&#60;img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/c20bb6e9738dce28c1b72f06cf320218edc3eb998fe0ca668a4b2d4401d67220/Presentation-of-Jesus-Clay.jpg" data-mid="43885367" border="0"  src="https://freight.cargo.site/w/800/i/c20bb6e9738dce28c1b72f06cf320218edc3eb998fe0ca668a4b2d4401d67220/Presentation-of-Jesus-Clay.jpg" /&#62;
&#60;img width="848" height="800" width_o="848" height_o="800" data-src="https://freight.cargo.site/t/original/i/1ab21a09e4a2451ea6e22b6acb440b60fab9ebeb7965f2ff97d93ae3a90daef5/Presentation-of-Jesus-Bronze.jpg" data-mid="43885366" border="0"  src="https://freight.cargo.site/w/848/i/1ab21a09e4a2451ea6e22b6acb440b60fab9ebeb7965f2ff97d93ae3a90daef5/Presentation-of-Jesus-Bronze.jpg" /&#62;

18” x 18” x 1.5”, and clay model and cast Bronze detail from The Joyful Mysteries: “Presentation of Jesus”

&#60;img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/896eea82772cf5a85533cf2df292a2c315de7be7953250467b36199089bca18e/Agony-in-the-garden-Bronze-CU.jpg" data-mid="43885324" border="0"  src="https://freight.cargo.site/w/800/i/896eea82772cf5a85533cf2df292a2c315de7be7953250467b36199089bca18e/Agony-in-the-garden-Bronze-CU.jpg" /&#62;
&#60;img width="3692" height="3692" width_o="3692" height_o="3692" data-src="https://freight.cargo.site/t/original/i/42a83b3e549f4e087420978eab7da66a5a3ffd7ca9997a9f97169ce9031d3e11/Agony-in-the-garden-sketch.jpg" data-mid="43885327" border="0"  src="https://freight.cargo.site/w/1000/i/42a83b3e549f4e087420978eab7da66a5a3ffd7ca9997a9f97169ce9031d3e11/Agony-in-the-garden-sketch.jpg" /&#62;
Cast Bronze 18” x 18” x 1.5” and original sketch from The Sorrowful Mysteries: “Agony in the garden”


&#38;nbsp;

&#60;img width="800" height="798" width_o="800" height_o="798" data-src="https://freight.cargo.site/t/original/i/a8fb5e44b474708740dab1e264941c1969e11ebfb62a5eb41e152b58e6050044/Scourging-at-the-pillar-clay.jpg" data-mid="43885371" border="0"  src="https://freight.cargo.site/w/800/i/a8fb5e44b474708740dab1e264941c1969e11ebfb62a5eb41e152b58e6050044/Scourging-at-the-pillar-clay.jpg" /&#62;
&#60;img width="865" height="800" width_o="865" height_o="800" data-src="https://freight.cargo.site/t/original/i/e20429944fb70590cb230fa97f92e19ee7f1bee77e88e3db9334f111cdbb68d2/scourging-at-the-pillar-bronze-2.jpg" data-mid="43905417" border="0"  src="https://freight.cargo.site/w/865/i/e20429944fb70590cb230fa97f92e19ee7f1bee77e88e3db9334f111cdbb68d2/scourging-at-the-pillar-bronze-2.jpg" /&#62;


18” x 18” x 1.5” original clay model and Bronze casting from The Sorrowful Mysteries: “Scourging at the pillar”




&#60;img width="542" height="542" width_o="542" height_o="542" data-src="https://freight.cargo.site/t/original/i/e67896a2dff6739e9f96f27ffd13c603e264abe8c4e57e279eb253001012f38b/Jesus-carries-his-cross-bronze.jpg" data-mid="43885355" border="0"  src="https://freight.cargo.site/w/542/i/e67896a2dff6739e9f96f27ffd13c603e264abe8c4e57e279eb253001012f38b/Jesus-carries-his-cross-bronze.jpg" /&#62;
&#60;img width="800" height="792" width_o="800" height_o="792" data-src="https://freight.cargo.site/t/original/i/89815cf3e2ba28649d2e476686154638cd805b830eb2290dff84390cf1e9c3f9/Jesus-carries-his-cross-clay.jpg" data-mid="43885357" border="0"  src="https://freight.cargo.site/w/800/i/89815cf3e2ba28649d2e476686154638cd805b830eb2290dff84390cf1e9c3f9/Jesus-carries-his-cross-clay.jpg" /&#62;

Cast Bronze 18” x 18” x 1.5” clay model and detail from The Sorrowful Mysteries: “Jesus carries his cross”


&#60;img width="1640" height="1976" width_o="1640" height_o="1976" data-src="https://freight.cargo.site/t/original/i/a8c305b289852b83e797a1254b4f51385d383fef74746c5c306adf1b264b7b64/Crucifixion-Bronze-B.jpg" data-mid="43885348" border="0"  src="https://freight.cargo.site/w/1000/i/a8c305b289852b83e797a1254b4f51385d383fef74746c5c306adf1b264b7b64/Crucifixion-Bronze-B.jpg" /&#62;
&#60;img width="600" height="930" width_o="600" height_o="930" data-src="https://freight.cargo.site/t/original/i/48e85ce6886eeb4f25b794024cd0560249977b9eabaf4a149986e3a47deb94b8/Ascencion-of-Jesus-Bronze.jpg" data-mid="43885331" border="0"  src="https://freight.cargo.site/w/600/i/48e85ce6886eeb4f25b794024cd0560249977b9eabaf4a149986e3a47deb94b8/Ascencion-of-Jesus-Bronze.jpg" /&#62;

Cast Bronze 33” x 42” x 2” shown installed at The Grotto from The Sorrowful Mysteries: “Crucifixion”18” x 27” x 1.5” natural, weathered Bronze patina from The Glorious Mysteries: “Ascension of Jesus”


&#60;img width="800" height="817" width_o="800" height_o="817" data-src="https://freight.cargo.site/t/original/i/8df1b2d32d379ef1139a96a8ba1e0e4bdb9ae174bf3129474f7eeb6c98cda7c1/resurrection-of-Jesus-bronze.jpg" data-mid="43885368" border="0"  src="https://freight.cargo.site/w/800/i/8df1b2d32d379ef1139a96a8ba1e0e4bdb9ae174bf3129474f7eeb6c98cda7c1/resurrection-of-Jesus-bronze.jpg" /&#62;
&#60;img width="800" height="789" width_o="800" height_o="789" data-src="https://freight.cargo.site/t/original/i/509cdca23cabd447154c5532f874a3d403c845325862b4fcbf7b78d2bf7a95c3/Coronation-of-Mary-Bronze.jpg" data-mid="43885343" border="0"  src="https://freight.cargo.site/w/800/i/509cdca23cabd447154c5532f874a3d403c845325862b4fcbf7b78d2bf7a95c3/Coronation-of-Mary-Bronze.jpg" /&#62;

Cast Bronze 18” x 18” x 1.5” from The Glorious Mysteries: “Resurrection of Jesus”18” x 18” x 1.5”, freshly cast bronze, from The Glorious Mysteries: “Coronation of Mary”



&#60;img width="3689" height="3683" width_o="3689" height_o="3683" data-src="https://freight.cargo.site/t/original/i/144d6dcc8355af3282ced75e2ea6b5d042bd35f78fbfd5c6cd4d5746908bdab2/Descent-of-the-holy-spirit-drawing.jpg" data-mid="43885354" border="0"  src="https://freight.cargo.site/w/1000/i/144d6dcc8355af3282ced75e2ea6b5d042bd35f78fbfd5c6cd4d5746908bdab2/Descent-of-the-holy-spirit-drawing.jpg" /&#62;
&#60;img width="800" height="804" width_o="800" height_o="804" data-src="https://freight.cargo.site/t/original/i/be86c3a63ac9b0e45d8227928ad5c6d68a18bb94555a239c72125b160b4894d0/Descent-of-the-holy-spirit-bronze.jpg" data-mid="43885352" border="0"  src="https://freight.cargo.site/w/800/i/be86c3a63ac9b0e45d8227928ad5c6d68a18bb94555a239c72125b160b4894d0/Descent-of-the-holy-spirit-bronze.jpg" /&#62;

Cast Bronze 18” x 18” x 1.5” freshly cast Bronze from The Glorious Mysteries: “Descent of the Holy Spirit”


&#60;img width="800" height="559" width_o="800" height_o="559" data-src="https://freight.cargo.site/t/original/i/57f5f26ab8ec4a9c8f8f774681cc31c17d11ce779c69335a81f301b6a36e9328/LS--glorious-mysteries-studio-.jpg" data-mid="43885360" border="0" data-scale="63" src="https://freight.cargo.site/w/800/i/57f5f26ab8ec4a9c8f8f774681cc31c17d11ce779c69335a81f301b6a36e9328/LS--glorious-mysteries-studio-.jpg" /&#62;1986: In the studio composing the clay models of “The Glorious Mysteries.” as installed at the Grotto (The National Sanctuary of Our Sorrowful Mother), in 1989. Reliefs are sold at the discretion of the artist for special installations and never in a group of five as shown above.&#38;nbsp;
Say hello: Please direct inquiries to nickpdxthomas@gmail.com
 



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	<item>
		<title>Home Image Scroll</title>
				
		<link>https://marylewissculptor.com/Home-Image-Scroll</link>

		<pubDate>Wed, 06 Feb 2019 20:09:41 +0000</pubDate>

		<dc:creator>Mary Lewis Sculptor</dc:creator>

		<guid isPermaLink="true">https://marylewissculptor.com/Home-Image-Scroll</guid>

		<description>&#60;img width="720" height="791" width_o="720" height_o="791" data-src="https://freight.cargo.site/t/original/i/b7908127116bf9cc804bbc1be0f145ae9f672b83712cc5d49cad904f1d746327/Repose-Mary-Lewis-2.jpg" data-mid="44929943" border="0" data-scale="55" src="https://freight.cargo.site/w/720/i/b7908127116bf9cc804bbc1be0f145ae9f672b83712cc5d49cad904f1d746327/Repose-Mary-Lewis-2.jpg" /&#62;
2011 REPOSE Walnut, collection of artist, 13” x 18”
&#38;nbsp;&#38;nbsp;


“To create is necessary to my being, regardless of obstacles, fame or monetary gain.”
 
Mary only cares about working, unrestricted and without gallery representation. Largely undiscovered, Mary is an uncharted original.&#38;nbsp;

&#60;img width="539" height="1000" width_o="539" height_o="1000" data-src="https://freight.cargo.site/t/original/i/d82c82d6e8693875e2f426d9b29d35c8ff0d980022d8763f53cc8d18b046d14f/Obadiah-1-Mary-Lewis.jpg" data-mid="43954272" border="0"  src="https://freight.cargo.site/w/539/i/d82c82d6e8693875e2f426d9b29d35c8ff0d980022d8763f53cc8d18b046d14f/Obadiah-1-Mary-Lewis.jpg" /&#62;
1953 OBADIAH Mahogany and Copper, 53” highMary has dedicated her career to interpreting an idea, feeling or unappreciated form in nature and reducing it to the essence in an honest and imaginative way.
A Master of Fine Arts at a glance: studied with recognition at the University of Oregon and Syracuse University. Travels by bike in Europe, two Fulbright Scholarships (among others), and taught sculpture in Pakistan.
Studio artist for View-Master creating popular culture media for children. &#38;nbsp;
&#60;img width="3804" height="2152" width_o="3804" height_o="2152" data-src="https://freight.cargo.site/t/original/i/c2acc736e79c18d51fa4466bbde748781a22b22c3b082e47b42f097c53a568cc/view-master.jpg" data-mid="35629108" border="0"  src="https://freight.cargo.site/w/1000/i/c2acc736e79c18d51fa4466bbde748781a22b22c3b082e47b42f097c53a568cc/view-master.jpg" /&#62;
1970 - 1977 Mary Lewis was a storyteller, 3-D content creator and sculptor for View-Master

Since 1977, Mary has worked with strength and courage, singularly focused on her journey as an independent sculptor, consumed only by her art.


&#60;img width="1160" height="864" width_o="1160" height_o="864" data-src="https://freight.cargo.site/t/original/i/a56dd26c5daeb35aed160852b283fdd844450a91c47b296e5119b74b8e0b47d8/mary-lewis-studio-editions.jpg" data-mid="36145590" border="0"  src="https://freight.cargo.site/w/1000/i/a56dd26c5daeb35aed160852b283fdd844450a91c47b296e5119b74b8e0b47d8/mary-lewis-studio-editions.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/1eda9ba9bdc0feb7b367faaa3827efb636dd2438c1c6bf54bb96cd0e9a98c2f4/IMG_3496.jpg" data-mid="35587490" border="0"  src="https://freight.cargo.site/w/1000/i/1eda9ba9bdc0feb7b367faaa3827efb636dd2438c1c6bf54bb96cd0e9a98c2f4/IMG_3496.jpg" /&#62;
1977 - PRESENT Pacific Northwest Studio at the edge of the Columbia River, Oregon. Built by Mary from salvaged materials &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 










Mary has dedicated her life to making sculpture that delights, inspires or touches the heart and uplifts the soul.


&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/59285b89b6835ca4a888075c66fedf7989541318b61b60a807a2ec5456ab2f29/IMG_3544.jpg" data-mid="35588702" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/59285b89b6835ca4a888075c66fedf7989541318b61b60a807a2ec5456ab2f29/IMG_3544.jpg" /&#62;2019 TESTING PUMICE from Mt. St. Helens in nearby Washington
“She was born an artist and has followed that creed her entire life. In her 90’s, held back by the bindings that mother nature wraps around the body, she still manages a daily trip to her studio. 



Her strong hands and sharp mind work together to carve the refined forms she’s created all her life as a sculptor. Mary forms simple, efficient shapes that tell a spontaneous story and hide the time and energy put into each piece.”
—Friend and fellow artist, Robert Thomas





&#60;img width="3044" height="2256" width_o="3044" height_o="2256" data-src="https://freight.cargo.site/t/original/i/fc67c735ed53f79a533e15ee8d62c4f03d931f26a8f484d9da275987f8e34735/mary-col-river-carving.jpg" data-mid="35589386" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/fc67c735ed53f79a533e15ee8d62c4f03d931f26a8f484d9da275987f8e34735/mary-col-river-carving.jpg" /&#62;

	2009 In her studio carving the&#38;nbsp;COLUMBIA RIVER

&#60;img width="728" height="1019" width_o="728" height_o="1019" data-src="https://freight.cargo.site/t/original/i/b9d8399f71d7431811825d05bc172e7b6b78106e95277ca7a8f6a4bf5276e855/Resurrection_Thistles_Mary-Lewis.jpg" data-mid="94717459" border="0" data-scale="63" src="https://freight.cargo.site/w/728/i/b9d8399f71d7431811825d05bc172e7b6b78106e95277ca7a8f6a4bf5276e855/Resurrection_Thistles_Mary-Lewis.jpg" /&#62;
WOOD BLOCK PRINT “Resurrection,” thistles from the forest surrounding her studio&#38;nbsp;
Mary has exhibited from coast-to-coast, her art is in collections internationally and is currently working on carved wood and stone projects. “If you’re dedicated enough you can make it but, you have to sacrifice.”—Mary LewisSay hello: Please direct inquiries to&#38;nbsp;nickpdxthomas@gmail.com

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